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Mike Fahie Jazz Orchestra: Urban(e)

By Dan Bilawsky
October 23, 2020
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There's a rocky history surrounding jazz-classical hybrids. But, in truth, that has little to do with any potential incompatibility. Instead, it's usually misguided maneuvering and/or an excessive show of dominant traits from one side or the other that mars said unions. When done right a wedding of those worlds can truly birth brilliance. Just listen to Urban(e) for proof.

Noted trombonist, composer, arranger and educator

Mike Fahie

trombone
b.1976

" data-original-title="" title="">Mike Fahie's unabashed love for classical music and jazz is clear and present in every aspect of this album. Drawing on an extensive knowledge of music history, a deep respect for the past and a unique vision of congruence anchored to the present moment, Fahie finds a way to chart his own course while channeling jazz language and classical substance with an unusually balanced and focused outlook.

Using his jazz orchestra as a medium for fine art, Fahie honors timeless classical works while reshaping them to his will. "Pr��lude, Op. 28 no. 20"— his album-opening take on Fr��d��ric Chopin's Chordal Prelude—is given new life with a twist on tempo, a fresh melodic mien, arresting solo contributions from pianist

Randy Ingram

piano
b.1978

" data-original-title="" title="">Randy Ingram and baritone saxophonist

Carl Maraghi

saxophone, baritone

" data-original-title="" title="">Carl Maraghi, and a vamp for drummer

Jeff Davis

drums
b.1952

" data-original-title="" title="">Jeff Davis to paint atop. Giacomo Puccini's "Nessun Dorma," dressed at first with fluttering adornments, retains its powerful emotional arcs thanks to sharp writing and the melodic integrity invested in tenor saxophonist

Chet Doxas

saxophone

" data-original-title="" title="">Chet Doxas' work. And perhaps most impressive of all, The Firebird is reborn. Igor Stravinsky's ballet, in essence, becomes Fahie's program music. Using excerpts from that groundbreaking work, this leader pieces together a different story surrounding a dragon's journey. Ingram plays to the titular character's awakening, saxophonist

Quinsin Nachoff

saxophone
b.1973

" data-original-title="" title="">Quinsin Nachoff represents its hunger pangs, Fahie's euphonium and

Jennifer Wharton

trombone, bass

" data-original-title="" title="">Jennifer Wharton's tuba tie into the creature's emotional state with a slow and sorrowful pas de deux, and flame and battle figure into an epic conclusion.

The four remaining tracks prove no less impressive in terms of scope, creativity and execution. Fahie's rendition of Claude Debussy's La fille aux cheveux de lin retains the original's impressionistic beauty while also amplifying its core emotions. A powerful take on the third movement from B��la Bart��k's String Quartet No. 1 embraces metal machinery, open air and tango while offering standout performances from guitarist

Jeff Miles

guitar

" data-original-title="" title="">Jeff Miles, trombonist

Daniel Linden

trombone

" data-original-title="" title="">Daniel Linden and trumpeter

Brad Mason

trumpet
b.1973

" data-original-title="" title="">Brad Mason. A gently dancing swing underscores the lighthearted 5/4 flow of Fahie's look at the second movement from Pyotr Ilyich Tchaikovsky's Path��tique Symphony, featuring alto saxophonist

Aaron Irwin

saxophone, alto
b.1978

" data-original-title="" title="">Aaron Irwin and trombonist

Nick Grinder

trombone

" data-original-title="" title="">Nick Grinder. And an album-ending trip through Johann Sebastian Bach's "Seufzer, Tr?nen, Kummer, Not," showcasing Fahie and trumpeter

David Smith

trumpet

" data-original-title="" title="">David Smith, points directly to the composition's reckoning with sighs, tears, anguish and need.

Urban(e), guided by Mike Fahie's faith in stylistic sympathies, put together with painstaking care, produced by the meticulous

Darcy James Argue

composer / conductor
b.1975

" data-original-title="" title="">Darcy James Argue and given life by some of the great individualists and team players on the New York scene, most certainly beats the odds. It's as intelligent and well-considered a jazz-classical merger as one can really hope to encounter.

Learn more about our star rating system

Track Listing

Pr��lude, Op. 28 no. 20; "Nessun Dorma" from Turandot; Excerpts from ; La fille aux cheveux de lin from Pr��ludes, Book 1; String Quartet No. 1, III. Allegro vivace; Symphony No. 6, II. congrazia; "Seufzer, Tr?nen, Kummer, Not" from Cantata, BWV 21.

Personnel

Mike Fahie

trombone

Brian Pareschi

trumpet

David Smith

trumpet

Sam Hoyt

trumpet

Brad Mason

trumpet

Matthew McDonald

trombone

Nick Grinder

trombone

Daniel Linden

trombone

Jennifer Wharton

trombone, bass

Jeff Miles

guitar

Randy Ingram

piano

Pedro Giraudo

bass

Jeff Davis

drums

Aaron Irwin

saxophone, alto

Anton Denner

woodwinds

Chet Doxas

saxophone

Quinsin Nachoff

saxophone

Carl Maraghi

saxophone, baritone

Chet Doxos

saxophone, tenor

Album information

Title: Urban(e) | Year Released: 2020 | Record Label: Greenleaf Music

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