Pianist Alon Nechustan is full of surprises. His work with Talat— The Growl (Tzadik, 2007)—placed him in the alt klezmer jazz category, but he refused to stay put in that area. Nechustan changed gears with Words Beyond (Buckyball Records, 2011), casting aside his allegiance to Hebraic-tinged melodies so he could focus on the modern language of the jazz trio. Then he quickly abandoned that course-on-record, redefining himself as an electro-acoustic outlier with the grim Dark Forces (Creative Sources Recordings, 2011) and re-centering himself with Ritual Fire (Between The Lines, 2013), a ten-part suite for jazz quartet. Nechustan clearly doesn't like to repeat himself, so it should come as no shock that Venture Bound is something different altogether.

This record, perhaps more than any other in Nechustan's discography, is the sum of the pianist-composer's beliefs. He doesn't paint himself into a specific corner or rely on a single guiding principle here. Instead, he simply tears down the walls of stylistic separation in his work, delivering a record that may be the truest representation of his artistic self.

Nechustan's interests in Middle Eastern-tinged creations, odd meters, direct melodies, and rhythmic rabble-rousing are on display throughout this date. As a soloist he's capable of setting the mood via gorgeous sound painting, hammering down chordal proclamations, or casting off sprinting sixteenth note runs; as a composer, he's capable of anything. Twist-and-turn constructs (mostly) in seven ("L'Avventura"), sunny silk-spun melodies that betray his roots ("The Gratitude Suite"), a somewhat Monk-ish creation ("Serpentrails"), an adrenaline-fueled danger ride ("Pome(Grenades"), and a taste of the old school ("Haunted Blues") all surface at one time or another.

The music on Venture Bound is basically built around a foursome, with Nechustan joining forces with bassist