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New Moon Jelly Roll Freedom Rockers: Vol. 2

By Doug Collette
March 21, 2021
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New Moon Jelly Roll Freedom Rockers: Vol. 2

The New Moon Jelly Roll Freedom Rockers Volume 2 is replete with the same instinctual camaraderie and musicianly savvy as its predecessor. Likewise culled from sessions recorded in 2007, this sequel is decidedly not comprised of mere leftovers or otherwise sub-par tracks originally left unreleased. On the contrary, the alternately upbeat and reflective atmosphere reaffirms the realism and presence of Kevin Houston's recording of these eleven cuts at the Zebra Ranch studios that were subsequently produced to authentic effect by this ad hoc band itself.

This whimsically named ensemble bonds through a shared devotion to the genre(s) they love. It should thus come as no surprise the deceptively informal outfit sounds as self-assured on the late Texas eclectic Doug Sahm's seminal Tex-Mex "She's About A Mover" as an the aptly-named original of harpist/vocalist

Charlie Musselwhite

harmonica
b.1944

" data-original-title="" title="">Charlie Musselwhite' s that opens the album, "Blues For Yesterday." And the impact of their respective fusions of spirit and style are undeniable, no matter who's featured on any given track: the easy shuffle into which these six musicians slip for

Jimbo Mathus

guitar

" data-original-title="" title="">Jimbo Mathus' "Searchlight (Soon in the Morning)" kicks in just as this roughly fifty-some minutes begins to generate momentum and simultaneously also functions as an artful set-up to the melancholy likes of

Charles Mingus

bass, acoustic
1922 - 1979

" data-original-title="" title="">Charles Mingus' "Oh Lord Don't Let Them Atomic Bomb On Me."

If it wasn't already obvious at the point of this spotlight for the late pianist/vocalist/composer

Jim Dickinson

multi-instrumentalist
1941 - 2009

" data-original-title="" title="">Jim Dickinson, the Jelly Roll Rockers are clearly not intimidated by stylist boundaries. On the contrary, the ensemble is inspired to leap them; this cover of the late jazz bassist/composer's tune precedes astute choices by comparably iconic blues figures:

Junior Wells

harmonica
1934 - 1998

" data-original-title="" title="">Junior Wells' "Messin' With The Kid" (often covered by the late great Irish bluesman

Rory Gallagher

guitar
1949 - 1995

" data-original-title="" title="">Rory Gallagher),

Jimmy Reed

guitar, electric
1925 - 1976

" data-original-title="" title="">Jimmy Reed's "Can't Stand To See You Go" and

Earl Hooker

guitar, slide
1930 - 1970

" data-original-title="" title="">Earl Hooker's "Blues Guitar."

And all those possess a palpable continuity with the

Mississippi Sheiks

band / ensemble / orchestra

" data-original-title="" title="">Mississippi Sheiks' "Blues Is Mighty Bad Feeling." The deceptively off-the-cuff air on Vol. 2 most specifically precludes any sense of over-familiarity radiating from such numbers. Similarly crucial in that regard are the succinct arrangements that allow solos of piano, guitar or harp to serve the individual songs rather than placate the egos of the respective participants. A notable case in point happens to be the spotlight afforded guitarist

Luther Dickinson

guitar, electric

" data-original-title="" title="">Luther Dickinson on the instrumental "Blue Guitar," but all the participants play a role in distinguishing these performances, each in his own inimitable fashion.

Chicago blues veteran Musselwhite's ghostly "Black Water" supplies yet another expression of continuity here. Doleful and despairing, it doesn't clash with the generally high spirits of Vol. 2, but rather accentuates the contrasts in the two moods. The New Mooners not only display a shared facility to restrain themselves when it's called for, but they can also unleash a joyful abandon to equally good effect: hear Alvin Youngblood Hart as he leads them through the tongue-in- cheek likes of "Millionaire Blues (If Blues Was Money)." The younger Dickinson sibling, drummer/singer/washboardist Cody, bonds at various points with bassists Chris Chew (then of

North Mississippi Allstars

band / ensemble / orchestra
b.1996

" data-original-title="" title="">North Mississippi Allstars) and Paul Taylor, forming rotating rhythm sections that sound more ramshackle than they really are.

Some of the suggestive cover images and CD graphics of Vol. 2 may be as distracting as the mystical/musicological liner notes are insightful. But the writing co-authored by the older Dickinson offspring and Ernest Suarez ( an accomplished author as well as a Ph.D and a Professor of English) is simply provocative to a purpose, evincing the same earthy eloquence as this music and, in sum, providing further evidence that, in all its many and varied forms, the efforts of New Moon Jelly Roll Freedom Rockers are naturally of a piece.

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Track Listing

Blues for Yesterday; She��s About a Mover; Searchlight; Oh Lord, Don��t Let Them Drop That Atom Bomb on Me; Greens and Ham; Messin�� with the Kid; Black Water; Millionaire Blues; Can��t Stand to See You Go; Blue Guitar; Blues Is a Mighty Bad Feeling.

Personnel

Charlie Musselwhite

harmonica

Jim Dickinson

multi-instrumentalist

Luther Dickinson

guitar, electric

Cody Dickinson

drums

Jimbo Mathus

guitar

Alvin Youngblood Hart

guitar

Chris Chew

bass

Additional Instrumentation

Charlie Musselwhite: vocals; Alvin Youngblood Hart: mandolin, vocals; Jimbo Mathus: vocals; Jim Dickinson: vocals; Luther Dickinson: mandolin, bass, vocals; Cody Dickinson: washboard, vocals; Paul Taylor: tub bass.

Album information

Title: Vol. 2 | Year Released: 2021 | Record Label: Stony Plain Records

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