Home » Jazz Articles » Album Review » The Engines: Wire and Brass

The Engines: Wire and Brass

By Mark Corroto
May 15, 2010
View read count

The second disc by the Chicago collaboration known as The Engines is a live date recorded at the Hungry Brain in April of 2008. Each player, a talented leader in his own right, adds equal measure to create music that dodges inside and out of composed direction and free form improvising.

Originally organized as a trio by saxophonist

Dave Rempis

saxophone
b.1975

" data-original-title="" title="">Dave Rempis (the yin to Ken Vandermark's yang in the

Vandermark 5

" data-original-title="" title="">Vandermark 5), The Engines' drummer Tim Daisy ( the saxophonist's duo partner and member of the Rempis Percussion Quartet), and bassist Nate McBride (FME, Spaceways Inc., Bridge 61). Before their first self-titled recording for Okka Records in 2008, trombonist

Jeb Bishop

trombone

" data-original-title="" title="">Jeb Bishop joined to created a very balanced grouping of musicians.

It is the interplay between Bishop and Rempis that fuels this date. Each player supports the other's soloing, then replies with his own contribution. While the music is composed, and McBride's huge bass sound sustains the architecture, the band tends towards flights of improvisation that are penetrating and shrewd. Daisy's "Red Cage" changes directions several times and is a perfect example of what this band is all about. The scheme for multiple time signatures to jigsaw the track, swapping horn interactions with bebop flavors and machine gun energy music that can stop on a dime, reminds that while the piece is composed, sonic mayhem is possible. Daisy has that maelstrom encoded in his DNA, playing loose and almost sloppily, until his patterns are realized.

Bassist Nate McBride maintains the energy center here. On both "Red Cage" and "Free Range," the he displays soloing skills on acoustic and electric bass, sparking the band and providing some intriguing electric static on the final piece.

The highlight here is the overtly confident track "Next Question" which is powered by heavy call-and-response from tenor and trombone. Bishop, with plunger in hand, begins by squirting notes into Rempis' bluesy Brotzmann-like honking saxophone, until McBride and Daisy open up a bebop groove that further fuels the back-and forth. Thrilling stuff here.

Learn more about our star rating system

Track Listing

Trouble Distribution; Red Cage; Next Question; Four Feet Of Slush; Free Range.

Personnel

Dave Rempis

saxophone

Jeb Bishop: trombone; Dave Rempis: alto saxophone, tenor saxophone, baritone saxophone; Nate McBride: acoustic bass, electric bass; Tim Daisy: drums.

Album information

Title: Wire and Brass | Year Released: 2010 | Record Label: Okka Disc

PREVIOUS / NEXT

Tommy Gumina
< Previous

B.B. King Live At The Hollywood Bowl...
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.