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John Surman: Words Unspoken

By Mike Jurkovic
February 15, 2024
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Hypnotic and many of its antonyms—stimulating, arousing, reviving—are old school hyperbole which very often separates the hack from the veteran of critical science. But sometimes those everyday words are exactly what need to be said to tell of music unlike everyday and most others. Words Unspoken is just that.

Blowing free and unhindered since 1966, and standing shoulder-to-shoulder with

Terje Rypdal

guitar
b.1947

" data-original-title="" title="">Terje Rypdal,

Archie Shepp

saxophone, tenor
b.1937

" data-original-title="" title="">Archie Shepp,

Bill Frisell

guitar, electric
b.1951

" data-original-title="" title="">Bill Frisell and

John McLaughlin

guitar
b.1942

" data-original-title="" title="">John McLaughlin, British multi-reedist

John Surman

saxophone
b.1944

" data-original-title="" title="">John Surman needs no lengthy introduction. He just needs the space to create and secure a spirit of adventure and camaraderie with his chosen partners—guitarist

Rob Luft

guitar
b.1993

" data-original-title="" title="">Rob Luft, vibraphonist

Rob Waring

vibraphone

" data-original-title="" title="">Rob Waring and drum & percussion master

Thomas Strønen

drums
b.1972

" data-original-title="" title="">Thomas Str?nen—to prompt and give rise to that which was not there before.

"Pebble Dance" is a perfect example. Caroling in on Waring's rolling pattern, Str?nen and Luft break in, the guitarist establishing a ringing, repeating figure to which the vibraphonist allies himself while Str?nen holds course. Surman's caterwauling, invigorating soprano saxophone cuts, sways, incites, and acquiesces to his compatriots mesmeric hold. As a masterful opening statement, it is trance at a very high level.

Resolute with intent and resolve, "Words Unspoken"'s ascendant theme, haunts as much as it reveals. Surman is totally committed to the triumphant, baritone saxophone moan. Surman echoes along and against the sustained avenue of chords laid out before him by Luft and Waring. As Waring floats above it all—spirit, cloud, shadow—Surman growls and circles. The world is awash . . .

"Graviola" has the ECM ambience down pat, floating, misting, touching down, sailing forth. "Bitter Aloe," is an exceptionally warm, enticing Surman original, with the saxophonist and guitarist at one with the gliding muse. The enigmatic "Hawksmoor," part

Modern Jazz Quartet

band / ensemble / orchestra
b.1952

" data-original-title="" title="">Modern Jazz Quartet and part quite the opposite, spins a delirious dance with Surman's resonant bass clarinet leading the way at times. With its open architecture, (a Surman merit) "Onich Ceilidh" becomes what it is, an amalgamation of solos brought to the fore, coalescing, attaining form. A form which takes shape as Words Unspoken.

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Track Listing

Pebble Dance; Words Unspoken; Graviola; Flower in Aspic; Precipice; Around the Edges; Onich Ceilidh; Belay That; Bitter Aloe; Hawksmoor.

Personnel

John Surman

saxophone

Rob Luft

guitar

Rob Waring

vibraphone

Thomas Str?nen

drums

Additional Instrumentation

John Surman: baritone sax; baritone clarinet.

Album information

Title: Words Unspoken | Year Released: 2024 | Record Label: ECM Records

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