Home » Jazz Articles » Album Review » L'Image (Mainieri/Bernhardt/Spinozza/Levin/Gadd): 2.0

L'Image (Mainieri/Bernhardt/Spinozza/Levin/Gadd): 2.0

By John Kelman
January 11, 2010
View read count

L'Image (Mainieri/Bernhardt/Spinozza/Levin/Gadd): 2.0

It may seem odd to take nearly 40 years to release a debut, but in the case of L'Image it's definitely a case of never-too-late. A collective formed by vibraphonist

Mike Mainieri

vibraphone
b.1938

" data-original-title="" title="">Mike Mainieri in the early 1970s, L'Image generated considerable buzz for its live shows before, on the cusp of recording its first album, circumstances forced the group to dissolve. Mainieri reunited the group in 2008 for a Japanese tour and to record 2.0, and for fans of an era that delivered groove-happy groups like Stuff, and the funk-driven fusion of The Arista All Stars and its two Blue Montreux (Arista, 1978) LPs, it's a welcome opportunity to revisit a time when easy-on-the-ears jazz had yet to morph into dispensable smooth stuff.

Not that 2.0 is retro; the group sounds thoroughly in the new millennium, even as it revisits a couple of 1970s Mainieri compositions, in particular the eminently singable title track to Love Play (Arista, 1977), here combined with Mainieri's knotty but Latin-esque "Coming Home." Mainieri's tunes, which comprise half of 2.0's eight tracks, straddle the fence between easy-flowing accessibility and beneath-the-covers depth, in particular the tone row-driven "All in a Row," where

Tony Levin

bass
b.1946

" data-original-title="" title="">Tony Levin's Chapman Stick gets a workout beyond the confines of the progressive rock arena in which he's been more often than not found since hooking up with King Crimson and Peter Gabriel in the late 1970s. 2.0 is, in fact, a rare opportunity to hear Levin return to jazz, his deep arco creating a robust foundation for Mainieri's "Reunion," an otherwise atmospheric track where David Spinozza's nylon-string guitar and Mainieri's vibes gracefully combine. Levin proves that just because an artist doesn't, it needn't mean they can't.

The same can be said for drummer

Steve Gadd

drums
b.1945

" data-original-title="" title="">Steve Gadd, whose jazz cred is amply proven on seminal albums by

Chick Corea

piano
1941 - 2021

" data-original-title="" title="">Chick Corea,

Larry Carlton

guitar
b.1948

" data-original-title="" title="">Larry Carlton, and

Joe Farrell

saxophone
1937 - 1986

" data-original-title="" title="">Joe Farrell, despite a career largely spent as a session and touring musician with pop/rock artists like

Eric Clapton

guitar and vocals
b.1945

" data-original-title="" title="">Eric Clapton,

Paul Simon

composer / conductor
b.1941

" data-original-title="" title="">Paul Simon and

James Taylor Quartet

organ, Hammond B3

" data-original-title="" title="">James Taylor Quartet. Gadd's Stuff was a soulful and unassuming alternative to powerhouse fusion back in the day, and that same relaxed but unerring groove is all over 2.0, especially on keyboardist

Warren Bernhardt

piano
b.1938

" data-original-title="" title="">Warren Bernhardt's opening "Praise," a lengthy, gospel-tinged tune featuring lively solos from Mainieri and Spinozza. And if Gadd's sense of swing was ever in doubt, there's Mainieri's "Gadd-Ddagit!," which features Bernhardt's strongest piano solo of the set, and Spinozza in flat-out

Wes Montgomery

guitar
1923 - 1968

" data-original-title="" title="">Wes Montgomery mode.

Spinozza and Bernhardt may well be 2.0's biggest treats, if only because they're so under-represented compared to the more visible careers of Levin, Gadd, and Mainieri. Spinozza, in particular, demonstrates a compositional acumen as strong as his playing on three tunes, notably the ambling but deceptively change-heavy "Doesn't She Know By Now?" and spare yet visceral blues, "Hidden Drive."

The best players check their egos at the door, and with L'Image completing a fall 2009 run at New York's Iridium and a live CD/DVD in the works, 2.0 is the long overdue introduction to a group with nothing to prove and everything to say.

Learn more about our star rating system

Track Listing

Praise; Reunion; Gadd-Ddagit!; Doesn't She Know By Now?; The Brat; All in a Row; Hidden Drive; Love Play/Coming Home.

Personnel

Mike Mainieri

vibraphone

Mike Mainieri: vibraphone; Warren Bernhardt: keyboards; David Spinozza: guitars; Tony Levin: basses, Chapman Stick; Steve Gadd: drums.

Album information

Title: 2.0 | Year Released: 2010 | Record Label: NYC Records

PREVIOUS / NEXT

Go Home
< Previous

Alone, Again (Naturally): Peter Brot...
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.