Home » Jazz Articles » Multiple Reviews » Alone, Again (Naturally): Peter Brotzmann, Olaf Rupp, He...
Alone, Again (Naturally): Peter Brotzmann, Olaf Rupp, Henry Kaiser, John Butcher, Woody Sullender and Frank Rosaly
By
Leroy Jenkins
bass, electric1932 - 2007

Cooper-Moore
pianob.1946

Hamiet Bluiett
saxophone, baritone1940 - 2018
I was able to see Jenkins in a number of settings after thatsolo as well as with his own groups and the reformed " data-original-title="" title="">Revolutionary Ensemble. The interactions we had, though brief (I never interviewed him), I like to think helped set me on the road to writing about music, both as a historian and a critic. Exploring an artist's personal story, feelings, thoughts and personality are part of the interviewing process. Allowing musicians to speak without boundaries other than those that they set themselves is something akin to the practice of solo playing, and common to the unique brand of conversation that true oral histories espouse. Perhaps that brand of storytelling is why solo playing is so special, and personally it provided the window into what I felt I could contribute as a writer and fan of this music.
2009 produced a number of very interesting solo recordings of different stripes; whether any of them become as canonical as Jenkins' Solo Concert (India Navigation, 1977), Bluiett's Birthright (India Navigation, 1977) or a legion of other titles over the past half-century is anybody's guess. But the following discs by Peter Brotzmann, Olaf Rupp, Henry Kaiser, John Butcher, Woody Sullender and Frank Rosaly do attest to the strength and diversity of the solo idiom.
Peter Brotzmann
Lost & Found
FMP
2009
It has been just over thirty years since German reedman Peter Brötzmann
woodwinds
1941 - 2023Ornette Coleman
saxophone, alto
1930 - 2015Coleman Hawkins
saxophone, tenor
1904 - 1969
Olaf Rupp
Whiteout
FMP
2009
Guitarist Olaf Rupp, also German, is of a decidedly different ilk than that which gave birth to FMP and to the halcyon days of German free improvisation. Whiteout is his first entirely solo electric guitar recording in 10 years, though he has recorded acoustic guitar performances in the meantime. Visually, Rupp is a striking figurestocky, shorn pate and holding his instrument upright under the influence of Chinese pipa players (or fellow plucker Uwe Kropinski). Rupp and Brotzmann could be considered complementary forces. They are both self-taught and despite the cultural baggage of being "European" and purveyors of "art music," a wistful, timeworn and bluesy sensibility emerges in the plaintive moments of both. Rupp's immense webs and clusters of bunged notes yield shimmering overtones, but after the excitement clears, it's the plaintiveness and soul of his phrasing, alternately scumbled and twanging, that acts as a warm sonic blanket.
Uncle Woody Sullender
Live at Barkenhoff
Dead CEO
2009
Chicago-based banjoist Woody Sullender's work often abuts sound art, his overdriven plucking shattering hillbilly preconceptions and giving the instrument a devilishly vanguard bite. Live at Barkenhoff, his third disc, is much sparser in effect than previous outings and in its execution falls a bit farther from the free-improvisation tree. Augmented by electronics, "A Measure of Dasein" couples wiry, thin drones and clustered mallet-rhythms with quiet, forthright and traditionally spun improvised yarns. One would be hard pressed to align this particular solo with other open forms of string musiceven as Sullender's notes harrow and run together with spittle and flecks befitting a reed player, a quick nod of the head to John Fahey's "Approaching of the Disco Void" is clearly evident. Though placing him in the wry lineage of American folk-blues string players (Fahey, Robbie Basho, etc.) is perhaps inappropriate (or incomplete), Sullender creates similar tensions by juxtaposing pure, immediate sound and delicately-woven fantasias of voided and pregnant reference.
Henry Kaiser
Where Endless meets Disappearing
Balance Point Acoustics
2009
Where Endless Meets Disappearing is guitarist Henry Kaiser
guitar
b.1952Derek Bailey
guitar
1932 - 2005Sonny Sharrock
guitar, electric
1940 - 1994Terry Riley
composer / conductor
b.1935 John Butcher
Resonant Spaces
Confront
2009
At the heart of Resonant Spaces is a soloist's take on sonic sculpture, in dialog with literal, locational space. English saxophonist John Butcher
saxophone
b.1954Evan Parker
saxophone, soprano
b.1944
Frank Rosaly
Milkwork
Contraphonic
2009
Alongside solo saxophone or solo trumpet recitals, solo percussion workouts are among the most curious formats for invention in this music. It's also incredibly difficult to pull off an engaging slab of unaccompanied percussion, which is why the "good" ones stand out. Chicago-based drummer Frank Rosaly
drums
b.1974Dave Rempis
saxophone
b.1975Jason Adasiewicz
vibraphoneAndrew Cyrille
drums
b.1939
Tracks and Personnel
Lost & Found
Tracks: Internal Rotation; Lost & Found; Universal Madness; Got A Hole In It; Turmoil.
Personnel: Peter Brotzmann: alto and tenor saxophones, clarinet and tarogato.
Whiteout
Tracks: Whiteout Parts 1-14.
Personnel: Olaf Rupp: electric guitar.
Live at Barkenhoff
Tracks: A Measure of Dasein; Where the Flowers on the River's Green Margin May Blow; Violence of Volk.
Personnel: Uncle Woody Sullender: banjo and electronics.
Where Endless meets Disappearing
Tracks: Where Endless meets Disappearing; Very Lush Waters; Topic A; At Two; I Would Ask; Maybe If Time; A Precise Kind of Infinity, a Sliver of Clarity Nestled; Wet Behind the Ears; Touch and Change Places; This Way and That; Feel You Contact Everything; Completely Won Over; As Stream, Hue, and Pressure Sound; Three Can Keep a Secret if Two Are Dead; Regarding Proximity; The Gate is That Way, not This; Yet Another Good Time to Be In; A Bloom of Tiny Suns.
Personnel: Henry Kaiser: electric and acoustic guitars.
Resonant Spaces
Tracks: Sympathetic Magic (stone); Calls from a Rusty Cage; Wind Piece; Floating Cult; Close by, a Waterfall; New Scapa Flow; Styptic; Frost Piece; Sympathetic Magic (metal).
Personnel: John Butcher: tenor and soprano saxophones, feedback and amplification.
Milkwork
Tracks: Adolescents; NY Prices; Four Bright Red Dots; Truce; Zoquete; NY Prices!; Calcetines; Burnshine; He Junkin.'
Personnel: Frank Rosaly: drums, percussion, melodica and electronics.
Tags
Comments
PREVIOUS / NEXT
Support All About Jazz
