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2020 and Me
ByThis was a difficult, terrifying year, and the arts did a lot to sustain us, both as creators and audience.
2020 has been an ongoing parade of American horrors. No matter what city you're in, the town is paused. I live in Hollywood, three blocks from the former site of Amoeba Music, the biggest independent record store in the Flat 48. It closed this year, as did the very excellent Atomic Records, in nearby Burbank. Both are slated for reopening, but no hard dates have been offered up. The tiny, packed to the hilt Boyle Heights shop Sonidos Del Valle has become where the record nerds congregate, masked, as their wives and girlfriends look on alternately bored and bemused.
Aside from Sonidos, my favorite place to browse is now Bandcamp. Unfortunately, so much of what is available on this rightfully beloved site is strictly download, and like most jazz fans of my generation, I'm a hardcopy person. One label who sells vinyl and cassettes (but not compact discs) is Death Is Not The End, who specialize in international roots music. Their rebetika (Depression Era Greek street music) comp The Sun Is Setting On This World is maybe my favorite thing this year, otherworldly, soulful vocal music that sounds like for all the world like interplanetary delta blues. In addition, DINTE has a (thus far) three volume series of Jamaican doo wop called If I Had A Pair Of Wings that shines a light on the pre-ska music scene, with compelling early performances by future stars like

Jimmy Cliff
guitarOf course, the most remarked-upon release of 2020 was

Bob Dylan
guitar and vocalsb.1941

Thundercat
bass, electricb.1984
Speaking of frontman bassists releasing great new albums, the inextinguishable

Bootsy Collins
bass, electricb.1951

George Benson
guitarb.1943

Larry Graham
bass, electric
Bela Fleck
banjob.1958

Christian McBride
bassb.1972
Brennan Johns
trumpetSaxophonist

Benjamin Boone
saxophoneb.1963

Ken Nordine
poet / spoken word1920 - 2019

Chico Hamilton
drums1921 - 2013

Fred Katz
cellob.1919

Don Byron
clarinetb.1958
As for the written word, Ricky Riccardi's Heart Full of Rhythm (Oxford) was my big jazz read of the year. Rickywho I like a great deal personallyis not only a fine writer, but his research is exemplary. He seems to be working his way backwards though Pop's life (his last book, What A Wonderful World, covered the later recordings), which brings the hope that his next book will cover the Hot Five's and Seven's. It is fair to say Ricky is quickly becoming the Robert Caro of Louis Armstrong.
Probably as a result of shopping at Sonidos, I got re-addicted to 45's, those seven inch slices of music that quickly become a compulsion, especially if you came up on punk rock. Yes, labels still release these, some exclusively. One such label, The Giving Groove, did a limited edition red vinyl release of Philadelphia's still-incredible Dead Milkmen covering the Heaven 17 classic "(We Don't Need This) Fascist Groove Thang." This was as timely as it gets. As it was during the rise of Reaganism, it was exactly the right song at exactly the right time, and the Milkmenwho had revived it brilliantly a couple years ago as a call to resistance in the time of Trump put it over with angry relish that served to remind us that punk rock still means it, man. This, for me, was the record of the year.
(My other favorite Philadelphia music indulgence this year was Gretchen Elise's "Wawa," a grooving and addictive jawn singing the justified praises of the Delaware Valley's favorite convenient store, which nearly brought me to tears with homesickness for coffee and hoagies.)
The Latin/ska label Steadybeat, located in Wilmington CA, which is a very tough local pocket, has been putting out several cool singles every year since 1995. King Steadybeat (another pal) and the Royal Palms' Supasonico / Coco Cookie was a typical example of the label, whose releases I have collected nearly all of.
This was a difficult, terrifying year, and the arts did a lot to sustain us, both as creators and audience. Ultimately, we seem to have found the light at the end of the tunnel, which is a conditional thing, as anyone who has ever exited the Holland Tunnel with his windows open will tell you. Yes, you're out of the tunnel, but it smells and there's someone cleaning your windshield whether or not you asked.
Tags
Hardly Strictly Jazz
Skip Heller
Jimmy Cliff
Owen Gray
Prince Buster
Sinn Sissamouth
Bob Dylan
Nick Lowe
Los Straitjackets
Thundercat
Bootsy Collins
george benson
Larry Graham
Bela Fleck
Christian McBride
Cornel West
Brennan Johns
Benjamin Boone
Ken Nordine
Chico Hamilton
Fred Katz
Don Byron
Dead Milkmen
Heaven 17
Grethen Elise
King Steadybeat
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