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Jazz Articles about Linda May Han Oh
Michael Dease: City Life: Music of Gregg Hill
by Paul Rauch
Michigan-based composer Gregg Hill is on a remarkable roll, authoring an impressive run of compositions represented on eight albums released on the Origin Records label. Each has featured a bandleader associated with the top shelf staff at Rodney Whitaker's jazz program at Michigan State University. City Life (2025) is the third under the leadership of trombone great Michael Dease. The two-disc release includes 19 compositions from Hill, and features a cast of some of the most powerful voices in jazz ...
Continue ReadingMichael Dease: City Life: Music of Gregg Hill
by Dan McClenaghan
Jazz trios featuring a horn, bass and drums get right to the core of musical expression. With, most commonly, a saxophone--see Sonny Rollins' blueprint for the horn and trio setting, the 1957 Contemporary Records album Way Out West--the music flows freely. The players do not need to chase chords around. The result is a stretching of the melodies with freewheeling rhythmic finesse. Trombone, bass and drums outings are rare, but Michael Dease goes for it on CD 1 ...
Continue ReadingGeorge Colligan: Live At The Jazz Standard
by Carl Medsker
During its relatively brief life, the Jazz Standard hosted many wonderful evenings of creative music. Artists performing in the basement beneath the barbecue restaurant ranged from Houston Person to Roy Haynes to Wadada Leo Smith. The Mingus Big Band held forth on most Monday evenings. Sadly, the club succumbed in 2021 to the economic pain caused by the pandemic. In memorium, we now have a robustly recorded live set from 2014 by the George Colligan trio. It is ...
Continue ReadingLinda May Han Oh: The Imperative
by Carl Medsker
Congratulations to Linda May Han Oh for adding the 2025 Jazz Journalists Association Bass Player of the Year award to her collection of accolades. Since emigrating to the United States from Australia in 2006 (she was born in Malaysia), Oh has built an impressive career, making significant contributions to works by Dave Douglas, Terri Lyne Carrington, Joe Lovano, Kenny Barron and many others. Her playing in Vijay Iyer's trio with Tyshawn Sorey is massive. Melodic, flowing, rhythmically complex, expressively performed ...
Continue ReadingBenjamin Lackner: Spindrift
by Mario Calvitti
Il nuovo lavoro del pianista berlinese Benjamin Lackner, Spindrift, non si distacca molto dal precedente Last Decade, anch'esso pubblicato da ECM un paio di anni fa. La differenza principale è la presenza di una seconda voce strumentale, quella del sax tenore di Mark Turner, che si affianca alla tromba di Mathias Eick nell'esposizione e elaborazione dei temi lirici composti dal pianista (tutti ad eccezione di “Chambary" firmata dal batterista). Il sassofonista non è l'unico nome illustre che ha ...
Continue ReadingBenjamin Lackner: Spindrift
by Jack Kenny
Benjamin Lackner has a vision and his album is a coherent statement of his ideas: a radical statement of lyricism, gentleness, restraint and understatement. It was a long-time dream. For some time, Benjamin Lackner has had a wish to record with ECM. In an interview, he outlined his attempts to produce music that would impress ECM's Manfred Eicher. Benny Lackner became Benjamin. He experimented with different formats, eventually achieving his ambition with Last Decade (2022), his first album ...
Continue ReadingVijay Iyer: Compassion
by Mario Calvitti
L'ottavo album da titolare del pianista Vijay Iyer per la ECM è anche il primo a riprendere una formazione già utilizzata, per la precisione nel precedente Uneasy pubblicato nel 2021, non considerando un altro disco in trio ma con differenti interpreti (Break Stuff, del 2015). Negli altri lavori Iyer ha spaziato dalla suite cameristica con un quartetto d'archi (Mutations) al sestetto (Far from Home), dai duetti con Wadada Leo Smith e Craig Taborn (a cosmic rhythm with each stroke e ...
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