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Jazz Articles about Wycliffe Gordon
Deborah Silver: Deborah Silver with the Count Basie Orchestra: Basie Rocks!
by Jack Bowers
Basie Rocks! A great idea? One best left on the cutting-room floor? Or perhaps a little of both? There are reasonable arguments to be made on all sides of the equation. On the one hand, this is the one and only Count Basie Orchestra, swinging in its own exceptional way. On the other, the orchestra has joined forces on every number with Mississippi-bred pop-rock singer Deborah Silver, the latest in a series of acclaimed guest vocalists that includes Ella Fitzgerald, ...
Continue ReadingDeborah Silver: Deborah Silver with the Count Basie Orchestra: Basie Rocks!
by Kyle Simpler
Jazz musicians frequently cover popular songs, but few do it quite like vocalist Deborah Silver. With Basie Rocks!, Silver teams up with the iconic Count Basie Orchestra for a genre-crossing collection that you truly have to hear to believe. This is a groove-charged big band album that reimagines classic rock and pop classics through the swinging lens of traditional jazz. While that premise might sound gimmicky on paper, the result is total sonic satisfaction. Produced by ...
Continue ReadingAdrian Cunningham: It's About Time
by Jack Bowers
Australian-born, New York-based multi-instrumentalist (and vocalist) Adrian Cunningham brings impressive creds to his latest recording, It's About Time, raising the number of albums under his leadership well into double figures. And as if playing an array of instruments were not enough, Cunningham also writes, having composed nine of the album's songs and arranged all of them. The exceptions are George Gershwin's “Summertime" (from the folk opera Porgy and Bess) and the traditional “Battle Hymn of the Republic." ...
Continue ReadingVisions Jazz Ensemble: Across the Field
by Jack Bowers
Here is a unique and intriguing concept: a baker's dozen collegiate anthems and fight songs, trimly recast in contemporary jazz settings by the seven-member Visions Jazz Ensemble, comprised of Indiana University alumni who stride Across the Field with an abundance of proficiency and perception. Although the hip arrangements by the ensemble's co-leaders, trumpeter Sam Butler and tenor saxophonist Garrett Fasig, sometimes turn these largely familiar songs inside out and upside down, every one of them has its ...
Continue ReadingWycliffe Gordon: What You Dealin' With?
by C. Andrew Hovan
Privy to the entire history of jazz trombone via the technological age in which we live, Wycliffe Gordon seems to have utilized this information in such a way that his own playing displays elements from various periods and a technical competence that is indeed remarkable. “I was most familiar, at first, with guys who played with Louis Armstrong, namely Trummy Young or Kid Ory and later on Jack Teagarden," says Gordon about the early years in his development. “Later I ...
Continue ReadingDiane Marino: I Hear Music
by Nicholas F. Mondello
"I Hear Music," from Nashville-based vocalist, pianist and arranger Diane Marino, is a twelve-track retrospective of selections--famous and not so--drawn from the Songbook, as well as being associated with such great artists as Dakota Staton, Ella Fitzgerald, Anita O'Day, and others. The opener, the rarely heard “I Hear Music," is Marino's fine upbeat take on an old Burton Lane & Frank Loesser tune from a forgetable pre-WWII film, “Dancing on a Dime" (Paramount Pictures, 1940). It is ...
Continue ReadingNYO Jazz: We're Still Here
by Jack Bowers
The “NYO" in NYO Jazz is shorthand for National Youth Orchestra, a marvelous concept that should be cloned and shipped to as many cities, towns and villages as possible. NYO, comprising carefully chosen musicians, ages 16 to 19, from across the U.S.A. is based at Carnegie Hall's Weill Music Institute in New York City, and We're Still Here marks its first full-length recording. The NYO's artistic director is trumpeter, composer and educator Sean Jones who is featured ...
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