Home » Jazz Articles » Live Review » Brandino and Friends Live at Seven Grand

Brandino and Friends Live at Seven Grand

By Anthony Polis
June 9, 2012
View read count

Brandino and Friends
Seven Grand Whiskey Bar
Los Angeles, CA
May 21, 2012

When people talk about jazz venues in Los Angeles, downtown's Seven Grand Whiskey Bar doesn't usually come to mind. That's unfortunate because this popular bar has featured jazz and blues Monday through Wednesday for over a year. It's a classy yet hip spot to sip a cocktail and hear great music without the formality and tightness of a typical jazz venue. It's nice to have an affordable laid back alternative.

Which brings us to Brandino and Friends—an exciting new LA-based jazz-funk outfit. On May 21, the acclaimed bassist/producer and his new band rocked the spot off its foundation. This was their fourth show here and the best yet.

Brandino at Seven Grand—? 2012 Scott Mitchell

Brandino

bass, electric
b.1964

" data-original-title="" title="">Brandino is an accomplished musician and producer who's spent 22 years as Aretha Franklin's bassist. He's contributed to numerous Grammy-winning and nominated albums including OutKast's Speakerboxxx/The Love Below, Justin Timberlake's FutureSex/LoveSounds and Mary J Blige's The Breakthrough. He's a beast, a truly?versatile?artist who's trained in both jazz and classical music. Brandino has serious chops, relentless energy and possesses an effortless improvisational intuition.

Supported by a diverse crew, including up-and-coming tenor saxophonist

Kamasi Washington

saxophone
b.1981

" data-original-title="" title="">Kamasi Washington, also?a member of Thundercat's band (from Flying Lotus' Brainfeeder label), Texas-born keyboardist

Andy Langham

piano

" data-original-title="" title="">Andy Langham and Brandino's old school homie from Compton, Ronald Bruner Sr., filling in on drums for the insanely talented

Oscar Seaton

drums

" data-original-title="" title="">Oscar Seaton.

A sturdy foundation rooted in tradition with current attitudes and ideas makes this band unique. Taking a page from the

Miles Davis

trumpet
1926 - 1991

" data-original-title="" title="">Miles Davis playbook, Brandino understands the importance of young blood in the mix. His and Bruner's experience combined with the fresh ideas of Washington and Langham creates a technically impressive and energetic experience. Kudos for putting together a great band.

Many young people today lament the lack of soul and youthfulness in modern jazz. This ensemble defies that notion with the force of a category five hurricane (Brandino has roots in Louisiana).

Speaking of Louisiana, I'll never forget Brandino's proclamation that meeting

Louis Armstrong

trumpet and vocals
1901 - 1971

" data-original-title="" title="">Louis Armstrong was a life changing experience. His soul, energy and joyfulness?continue the tradition of The Big Easy.?The group is more gumbo than fusion: mixing different cultures, traditions and styles into a pot and then lighting a fire under it. You can't pin down their sound, except that it's raw, skillful, funky and real.

During two sets the band performed a wide selection of material, but their unique version of the

Weather Report

band / ensemble / orchestra

" data-original-title="" title="">Weather Report's "Birdland" stood out. This was an ideal choice for Brandino to showcase his raw energy, in which he delivered a massive solo that rattled my skull. Each member contributed a unique take on the band's?tough yet dynamic version of the classic, and Brandino's thunderous solo was?accentuated?by various effects pedals which gave the song a futuristic feel.

The night ended with

Mongo Santamaria

percussion
1917 - 2003

" data-original-title="" title="">Mongo Santamaria's timeless classic, "Afro Blue." Most of us have heard this standard numerous times before but they flipped and twisted it in ways that I've never imagined. The group's funky yet relaxed rendition captured?the essence of?Mongo's spirit. It left your mind, body and spirit nourished after the preceding journey through hard bop, jazz-funk, fusion and everything else these guys threw into the pot.?It was the perfect closing statement.

Brandino and Friends combine elements of jazz that rarely intersect these days: soul, improvisation, technical prowess and social relevancy. Give them a listen...

Photo Credit

Scott Mitchell

PREVIOUS / NEXT

Janis Joplin: The Pearl Sessions
< Previous

The Man Who Sold Himself
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.