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Copenhagen Jazz Festival 2014

Copenhagen
July, 8-10, 2014
The ten-day Copenhagen Jazz Festival, with its 1,200 concerts, is maybe the largest of its kind in Europe. This number of concerts is the consequence of a unique concept. The core of the festival, with some international headliners, is a relatively small scale affair but there is a huge, still growing amount of associated venues (this year, 14 more) doing their own programming. All are coordinated and communicated by the central office of the core festival. Here the publicity before, during and after the festival is done, including responsibility for the festival app. Besides that there are also a couple of satellite/off-festivals. This is a very brief description of an extended complex network of actors and organizations.
For Danish musicians, this kind of setup and organization offers lots of possibilities to play and perform as part of the festival, as well as providing opportunities to team up with both American and other European musicians. Consequently, Danish musician do a fairly high number of gigs, spread throughout town, during these ten days. Often, they even play a number of venues in a single day, the logistics all self-organizedon bikes, in many cases.
As a visitor, you have to make choices in advance: for a certain period; for certain musicians or groups; for a certain area; the venue; the kind of music; or some combination of all these criteria. The festival app is useful, but notwithstanding you have to take good notice of Copenhagen's topography before starting. Staying in a certain area gives visitors the possibility of gaining an intimate acquaintance with summery life in town, and after returning a few times, you will become familiar with Copenhagen. Whatever choice one makes as a foreign visitor, it is advisable to rent a bike. It is the best way to move from one place to another, and Copenhagen is a distinctive, bike-friendly city. As a returning visitor you can go on to discover unknown parts and corners. This year it was places spread over the city: KoncertKirken, in the northern N?rrebro district; Kvarterhuset, in the eastern Amagerbro district, situated near the seaside; KB 18 at K?dbyen, the meatpacking district near central station; and the Betty Hansen Theatre in Frederiksberg. Frederiksberg is a special case. De facto, it appears as a district of Copenhagen, but formally it is a separate entity, a municipality of its own with nearly 103,000 inhabitants encapsulated by Copenhagen.
Three days of the festival were covered and concerts by six groups at various locations were attended: an ensemble around the famous Danish recorder player Michala Petri at Betty Hansen Theatre;

Jakob Bro
guitarb.1978

Thomas Morgan
bass, acoustic
Tyshawn Sorey
drumsb.1980

Aaron Parks
drumsb.1983
Summer Jazz Valby
Due to short-term decisions, this year's route started with a new and largely unknown entity: a concert at Betty Nansen Theatre with Michala Petri. Starting at Frederiksberg's Betty Nansen Theatre meant a double speciality, and not only the peculiarity of Frederiksberg. The concert at the theatre was part of Summer Jazz Valby, which is an independent jazz festival taking place during the same period as the overall Copenhagen Jazz Festival. Both are, at best, loosely connected. Valby is a southwestern suburban district of Copenhagen, with an air of "outside" and "independence." In the past, Valby housed the big Carlsberg brewery, the cotton industry and film studios. With the redevelopment of the brewery and other industrial areas into a new, lively and high-density neighborhood, Valby is now one of the city's areas with the fastest growing population.
Summer Jazz Valby, organized by Cowbell Productions, started in 2009 with Danish saxophonist

Benjamin Koppel
saxophone, altob.1974

Kenny Werner
pianob.1951
The concerts took place at two locations: the Betty Nansen Theatre in Frederiksberg; and at Pr?vehallen, a new cultural centre in the Valby district. The festival's programming has, thus far, relied on reputable names like

Jim Hall
guitar1930 - 2013

Joe Lovano
drumsb.1952

John Abercrombie
guitar1944 - 2017

Uri Caine
pianob.1956

Brian Blade
drumsb.1970

Miroslav Vitous
bassb.1947

Audun Kleive
drums
Markus Stockhausen
flugelhorn
Chris Potter
saxophone, tenorb.1971

John Patitucci
bassb.1959

Brian Blade
drumsb.1970

Benjamin Koppel
saxophone, altob.1974

Scott Colley
bassb.1963
The programs of Summer Jazz presented existing groups as well as special festival (re)combinations and projects. The Cowbell ensemble gathered around Michala Petri was a good example of a genre-crossing recombination. The ensemble consisted of pianist

Carsten Dahl
pianob.1967

John Hadfield
drums
Joe Lovano
drumsb.1952
The concert, taking place on a Tuesday evening, was almost sold out. It started with a loose "Meet The Artist" talk (in Danish), with much laughing among the musicians and consequently picked up by the audience. These loosening up talks were considered an important element of the festival, as were the master classes held by visiting musicians.
World-famous, Petri is the most outstanding Danish recorder player covering a broad spectrum of classical and contemporary music, includingas in this caseimprovised music. Recently recording Going To Pieces Without Falling Apart with renowned Danish jazz trumpeter

Palle Mikkelborg
trumpetb.1941
The concert gave a strong impression of the festival's ambition, reach and actualization. Summer Jazz and Cowbell turned out as a good example of the viability of a small but high quality event, distinguished in a communal context on the urban periphery. It also demonstrated that large scale events do not automatically have to lead to fuzziness and flattening out of quality. All good reasons to further explore the festival.
K?dbyen
K?dbyen, Copenhagen's old meatpacking district near the central train station, is a vast area which partly has been transformed and is still functioning, in part, as it always has. Numerous venues of different size are located in that area, amongst them the venue of the ILK-collective. KB 18 is another one that is hard to find, on the outer rear sidea dark, gloomy vault with a small, poorly visible stage in front. Here, guitarist

Jakob Bro
guitarb.1978

Thomas Morgan
bass, acoustic
Paul Bley
piano1932 - 2016

Kenny Wheeler
flugelhorn1930 - 2014

Bill Frisell
guitar, electricb.1951

David Virelles
pianob.1983
The venue was packed, but there was a mismatch of the location's space, the music and the light wiping out the possible impact of it all to a large extent. Maybe, from certain angles of the vault, a better match could be made with the audience, who did not seem unsatisfied at the end. Two days later, Bro's trio with Thomas Morgan and Norwegian drum legend

Jon Christensen
drums1943 - 2020
Norrebr?, KoncertKirken
Koncertkirken is situated in outer N?rrebro just beyond Dronning Louise's Bro (Queen Louise's Bridge), on the left side at Bl?g?rdsgade/Bl?g?rdsplads. Dronning Louise's Bro connects the inner city and Norrebr?, is frequented by lots of cyclists and pedestrians, and is a quite popular hangout on summer evenings. N?rrebro is Copenhagen's most vibrant, colourful, casual and young-at-heart neighborhood, with places like Bl?g?rdsgade, Elmegade or J?gersborggade. To get to these kinds of venues you must become immersed in the street life of the city's neighborhoods.
KoncertKirken is a concert venue that presents a great variety of music and has its own programming during the jazz festival. The first concert attended was the female duo of German pianist Johanna Borchert and Danish vocalist/pianist Maria Laurette Friis. Borchert had performed a few days earlier at Copenhagen's Jazzhouse venue with her new Wayside-Wayfarer group, comprised of

Fred Frith
guitarb.1949

Stian Westerhus
guitar
Jason Moran
pianob.1975

Thomas Morgan
bass, acoustic
Eivind Lønning
trumpetb.1983
The next day, at KoncertKirken, a special trio of two Danespianist Jakob Anderskov and bassist Nils Davidsenin collaboration with American drummer

Tyshawn Sorey
drumsb.1980

Anthony Braxton
woodwindsb.1945

Roscoe Mitchell
saxophoneb.1940

Steve Coleman
saxophone, altob.1956

Steve Lehman
saxophone, altoThe unit's performance was one of those performances where something real happened in full scale and something powerful found its energy and form. At certain moments during the performance, the musicians could be seen looking up to the ceiling or looking down to the ground, as if gazing at what was in the air, what was rising up from the ground, and what they might receive. Out of each of those moments something thrilling burst out and a mighty groove or chantof a quality that would never be accomplished if played out straightemerged. It was one of those performances where every musician reached a higher level, outperforming himself. Crossing wild tonal areas with emerging views of undisguised beauty, the music travelled along steep abysses, conjuring big waves of air and wondrous glow. The trio's last piece, with a long dramatic intro by Anderskov, led into a dark, gospel-like night chant. The musicians were utterly happy that this time they had decided to record the performance.
Kvarterhuset, Amagerbro
The night before, together with fellow American Thomas Morgan, Sorey played in Aaron Parks' trio in a different area of Copenhagen. That appearance was a horse of a different color. Parks had just finished playing at Kulturhuset Islands Brygge with

Joshua Redman
saxophoneb.1969

Bill Evans
piano1929 - 1980

Keith Jarrett
pianob.1945
The DIVA program, administered by the country's National Arts Council, is an artist-in-residence program used to develop various Danish art scenes through dialog and collaboration between foreign and Danish artists. The program enables art and cultural institutions, municipalities and other professionals in the field to invite foreign artists and groups to reside in Denmark for a longer periodtypically between one and three months. Over the last four years, Jazz Danmark has invited

Andrew D'Angelo
saxophone, alto
Bill McHenry
saxophone, tenorSticking more or less to canonical pieces of the American piano trio legacy, the pianist added new, enriching colors to them, performing with an attitude quite different from his famous predecessorsquite talkative and constantly seeking eye contact with his audience. Parks and Morgan complemented each other in subtle, shinning ways, whereas Sorey was the loosening man, lifting the music out of its holder at times. It was a nice game to watch, with airy results. Altogether, it made for a highly pleasurable concert.
Haveselskabets Have, Frederiksberg
Frisk Frugt (Fresh Fruit) is multi-instrumentalist Anders Lauge Meldgaards, on this occasion "assisted" by a ten-piece ensemble that, a special affair, constantly disturbed and delighted its audience. Meldgaars seems to be the very much-loved naughty boy of Danish musical life, playing acoustic guitar and soprano saxophone, but also using toy instruments, typewriters, homemade flute organ, and a diversity of utensils and plants with contact microphones; one of the four main forces in the benchmark Copenhagen music collective Yoyooyoy, his Danish Top Meetings Burkina Faso In The Sky Room Where the Sun Lives Suite (2011) was nominated for the Nordic Music Prize.
Meldgaards started with some kind of seemingly na?ve Danish singing, accompanying himself on a tattered acoustic guitar and producing music from somewhere at the crossroad of Tom Zé and Tiny Tim. It all sounded very Danish, but in an estranged way. When the ensemble entered, it became clearer yet, at the same time, it was blurred again:

Steve Reich
composer / conductorb.1936
Conclusion
This year's Copenhagen festival route started and finished in Frederiksberg, strictly speaking outside the citya (too) short trip with lots of promising things that had to be missed. Again, it became clear that it was a real city life thing. Not only with concerts, moving between different parts of town and enjoying some of the outstanding Copenhagen cuisine, but further enriched by lots of meetings, intended and unintended, with people from the field: colleagues, musicians, friends and other Copenhagen residents. A lot happened that is not reported here in detail, but will certainly have longer term impact. There are enough still unknown and worthwhile places to discover and sort out in Copenhagen in the coming years,
Photo Credit: Kristoffer Juel Poulsen, Jazz.dk
Tags
Live Reviews
Henning Bolte
Denmark
Copenhagen
Jakob Bro
Thomas Morgan
Tyshawn Sorey
Aaron Parks
Benjamin Koppel
Kenny Werner
Jim Hall
joe lovano
John Abercrombie
Uri Caine
Brian Blade
Miroslav Vitous
Audun Kleive
Markus Stockhausen
Chris Potter
Danilo Perez
John Patitucci
Scott Colley
ArtistShare
Carsten Dahl
John Hadfield
Palle Mikkelborg
Paul Bley
Kenny Wheeler
Bill Frisell
David Virelles
Jon Christensen
Fred Frith
Stian Westerhus
jason moran
Eivind L?nning
anthony braxton
Roscoe Mitchell
Steve Coleman
Steve Lehman
Joshua Redman
Bill Evans
Keith Jarrett
Andrew D' Angelo
Bill McHenry
Rakalam Bob Moses
Steve Reich
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Concert Guide | Venue Guide | Local Businesses | More...
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VegaK?benhavn, Denmark
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