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Sheryl Bailey 4: For All Those Living

By Dan Bilawsky
April 12, 2011
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While guitarist Sheryl Bailey's A New Promise was a tribute to another tremendously talented female guitarist—the late

Emily Remler

guitar
1957 - 1990

" data-original-title="" title="">Emily Remler—For All Those Living touches on a wide variety of figures, both here and gone. Bailey's music pays direct tribute to fellow guitarists, like

Jack Wilkins

saxophone, tenor
1944 - 2023

" data-original-title="" title="">Jack Wilkins ("Wilkinsburg"), Masa Sasaki ("Masa's Bag") and the late

Jimmy Wyble

guitar, electric
1922 - 2010

" data-original-title="" title="">Jimmy Wyble, but she also looks beyond her own instrument with an homage to the great

Hank Mobley

saxophone, tenor
1930 - 1986

" data-original-title="" title="">Hank Mobley, the man that jazz critic

" data-original-title="" title="">Leonard Feather dubbed "the middleweight champion of the tenor saxophone."

Those familiar with Bailey's guitar work from her trio recordings will encounter the same spirit and zest in her playing here, but the presentation is a bit different. The rollicking organ trio format is replaced by a more nuanced quartet. With the organ ousted from her group, Bailey brings on pianist

Jim Ridl

piano

" data-original-title="" title="">Jim Ridl, and he proves to be a perfect match in every way. When Bailey shifts into

Wes Montgomery

guitar
1923 - 1968

" data-original-title="" title="">Wes Montgomery mode on "Masa's Bag," Ridl picks up on the overall vibe of the piece, delivering a spirited solo that places technique and soul on equal footing. Ridl even threatens to steal the show when he ratchets up the excitement with his superb solo on "29-11."

While each member of Bailey's quartet is a fine player, and soloists in their own right, their attention to clarity and articulation is even more important than their chops. Drummer

Shingo Okudaira

drums

" data-original-title="" title="">Shingo Okudaira doesn't buy into the washy-cymbals-are-better philosophy, and his dry ride cymbal is clear and focused. Bassist

Gary Wang

bass, acoustic

" data-original-title="" title="">Gary Wang makes everything feel good, and, while Ridl and Bailey certainly play their fair share of notes, they never sacrifice cleanliness for the sake of being flashy.

While all of Bailey's compositions have an understated and hip allure, no two pieces are exactly alike: she delivers waltzes, both spry ("For All Those Living") and relatively soothing ("For A Russian Princess"); passes out attractive and simple melody lines over a groove in five ("29-11"); and cooks over some sizzling swing ("Moblin'"), all with confidence and a sense of purpose. On occasion, the solos end up outshining the songs that contain them, as on "Wilkinsburg," but that's a reflection on the individual strengths of the musicians, not a weakness in the writing.

For All Those Living is a fine showcase for Sheryl Bailey's writing and playing, also doubling as an important philanthropic project. Bailey has long been connected with the Ronald McDonald House of New York City, and she'll be donating a portion of all sales to this worthwhile organization, making this album a rare marriage of superb music and charitable sensitivity.

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Track Listing

An Unexpected Turn; For All Those Living; A Muse Sings; Masa's Bag; 29- 11; Wilkinsburg; For A Russian Princess; Moblin.'

Personnel

Sheryl Bailey

guitar

Sheryl Bailey: guitar; Jim Ridl: piano; Gary Wang: bass; Shingo Okudaira: drums.

Album information

Title: For All Those Living | Year Released: 2011 | Record Label: Self Produced

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