Before even blowing a note, the Miami Saxophone Quartet has earned bonus points by doing something other such groups would be wise to emulate: it has added a rhythm section (at least on three of Fourtified's nine tracks). There's even a second quartetviola, cello, two violinson the aptly named three-movement "Jazz Suite for Double Quartet," Latin percussion (courtesy of Richard Bravo) on "Spunky" and "Seventh Sign," and a guitarist (
"
data-original-title="" title="">Daniel Warren) on "Spunky." To add more spice to the bill of fare, alto Gary Lindsay doubles on synthesizer on his arrangement of
"
data-original-title="" title="">Byron Miller's "Sign." Despite being partial to woodwinds, it's pleasing to hear the saxophones in the company of assorted other instruments.
"
data-original-title="" title="">Ed Calle, tenor; Mike Brignola, baritone) who are the drawing card here, and they never fail to please, individually or collectively. The interplay is often breathtaking (dig the awesome precision, for example, on
"
data-original-title="" title="">Chuck Bergeron's resonant bass) is followed by another endearing Brubeck melody, "It's a Raggy Waltz," on which everyone (including pianist Jim Gasior) has a chance to spread his wings. Calle wrote the diaphanous "Dancing on a Cloud" and down-home closer, "Spunky." Gasior, Bravo, Warner, Bergeron and drummer Lee Levin comprise the rhythm section on "Spunky." The quartet (sans backup) rounds out the program with
Lindsay's twenty-seven minute-plus "Jazz Suite" blends the two groups in a splendid association, rife with exhilarating musical moments. Keller and violinist Glen Basham solo on the first movement; Keller, Lindsay and Brignola on the second; Calle on the third. The suite forms an opulent centerpiece for an album that is as persuasive as it is stylish and engaging.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.