Home » Jazz Articles » Live Review » Fred Hersch Trio + 2: New York City, March 5, 2011
Fred Hersch Trio + 2: New York City, March 5, 2011
By
Jazz Standard,
New York CIty, NY
March 5, 2011
Fred Hersch is one of today's most prominent jazz pianists, extending the limits of the jazz idiom with rare finesse and a sense of meaning and implication in every note he plays. This was one of five consecutive evenings featuring Hersch at New York's Jazz Standard, each with different personnelitself, a creative variance from traditional series, featuring the same group. On this and the next night, Hersch was complemented by bassist John Hébert and drummer

Billy Drummond
drumsb.1959

Noah Preminger
saxophone, tenorb.1986

Ralph Alessi
trumpetb.1963

Wayne Shorter
saxophone1933 - 2023

Thelonious Monk
piano1917 - 1982

Miles Davis
trumpet1926 - 1991

Ornette Coleman
saxophone, alto1930 - 2015
Hersch was the center of attention on his opening number, the balladic "Days Gone By." It was striking to watch and hear him playing in person. Unlike many pianists, who seem to grab and lurch at the piano, sometimes accompanying the keyboard with exotic grunts and moans, Herschquiet and contemplative from the outsetmoved about the keys with Zen-like efficiency, as if the music was descending directly from his mind and heart into his instrument. There was no extraneous movement or gesturing. With a Steinway baby grand at his disposal, he was able to articulate modalities ranging from

Bill Evans
piano1929 - 1980

Oscar Peterson
piano1925 - 2007

Cecil Taylor
piano1929 - 2018
On "Swamp Thang," a sort of primal soup of harmonies and counterpoints, Alessi did some extraordinary changes, eliciting "ahs" and "wows" from the crowd. Preminger came on in a quieter manner, with reflective improvisations in softer tones. By the time the group got to "Fall" and "I Mean You," the feeling of intense, swinging ensemble playing emerged into a very sophisticated concatenation of genres, and their free jazz playingwhich Hersch explicitly dedicated to Colemanwas remarkable in its accessibility. What Hersch himself was able to articulate here was nothing short of piano magichis changes and punctuations something that any great concert pianist would envy. "I Mean You" became hot, with rich improv solos from each of the musicians, with Hebert and Drummond, in particularstaying largely in the background for most of the setwailing on this tune.
The Jazz Standard, located on East 27th Street just off Park Avenue in Manhattan, is one of the best places anywhere to hear jazz in an intimate setting. The acoustics are excellent, as are the sight lines; there is enough space to avoid feeling crowded; the staff is affable and responsive; and the food is quite good, including Cayjun menu items like back ribs from the famed Blue Smoke restaurant upstairs. All taken together, this proved to be a great evening of jazz at the highest level.
Photo Credit
Matthew Sussman
Tags
Fred Hersch
Live Reviews
Victor L. Schermer
United States
New York
New York City
John Hebert
Billy Drummond
Noah Preminger
Ralph Alessi
Wayne Shorter
Thelonious Monk
Miles Davis
Ornette Coleman
Bill Evans
oscar peterson
Cecil Taylor
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