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Friedrich Kunzmann's 2018 Top 5: A fine year for the ECM catalogue

By Friedrich Kunzmann
December 11, 2018
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When looking back at the year one won't find more peace or joy than on the musical side of things. For in this realm there are nor real losers. Here, disappointment is relative and success is all over the place because everyone is trying to be their best possible selves, constantly on a path of self-improvement and reflection. A collective inwardness mirrors the individual looking outward; musicians listening to one another, understanding one another and building upon the constant exchange of phrases, sequences, filling in the notes and dots between the lines. Be the artist's motivation of egocentric nature or not—it sure has been worth my time and I'd like to believe some of it would be worth yours as well.

Modern guitar scientists

Gilad Hekselman

guitar
b.1983

" data-original-title="" title="">Gilad Hekselman and

Lionel Loueke

guitar
b.1973

" data-original-title="" title="">Lionel Loueke kept their promises and delivered invigorating and ever so inventive new efforts, while veteran sound-"designer" Manfred Eicher's ECM Label continues to push the boundaries —uniting the most outward reaching and forward thinking releases under one roof for a display of unprecedented creativity and profound textures that kindle dazzling sonic images.

The intricate compositions on The Dream Thief are not only some of the best

Shai Maestro

piano
b.1987

" data-original-title="" title="">Shai Maestro has ever put to record, but on top of that they are presented in a unique dynamic production, making their contemplative nature even more intimate. Eicher and Maestro are a pairing made in heaven.

Ask For Chaos is full of odd meters, instrumental virtuoso and intense use of sound effects. At the same time though, the album furthermore demonstrates a guitarist, who's comfort zone is vast and full of creativity and joy. Never before has

Gilad Hekselman

guitar
b.1983

" data-original-title="" title="">Gilad Hekselman sounded this free to do as he pleases. And it pleases.

Year after year I find myself praising

Lionel Loueke

guitar
b.1973

" data-original-title="" title="">Lionel Loueke again and again. 2018 shan't be an exception. Soulful, original. Simply extraordinary. On The Journey he takes it down a notch. Instead of odd-metered jazz extravaganza, quiet folk songs and minimalistically arranged sketches present a very spiritual and personal musician.

Ben Wendel

saxophone, tenor

" data-original-title="" title="">Ben Wendel takes up his duo compositions from 2015 and delivers convincing alternative versions of them with an energetic quartet composed of impressive individuals. Modern and traditionalist at the same time.

In the footsteps of 2016's Rising Grace (ECM), but in no way less impressive, Where The River Goes presents a guitarist who has found a home in ECM with a cast of musicians which understands him unconditionally and helps him shine all the way.

Wolfgang Muthspiel

guitar
b.1965

" data-original-title="" title="">Wolfgang Muthspiel at his best.

Honorable Mentions

Dairo Miyamoto: Last Picture
Aaron Parks: Little Big
Fabian Marziali: Windows & Light
Lubos Soukup Quartet: Zeme
Kristjan Randalu: Absence
Henri Texier: Sand Woman
Morten Haxholm Quartet: Vestigium
Edward Simon: Sorrows & Triumphs
Peripheral Vision: More Songs About Error And Shame
Christian McBride: New Jawn

Beyond Jazz

The Sea Within: The Sea Within
Roine Stolt's The Flower King: Manifesto of an Alchemist
Jeff Tweedy: Warm
Wayne Graham: Joy!
Kali Uchis: Isolation
Villagers: The Art Of Pretending To Swim
Jun Miyake: Lost Memory Theatre Act 3
Perfect Beings: Vier
Traveller: Western Movies
Kaia kater: Grenades

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