Home » Jazz Articles » Extended Analysis » Howie Smith / Mike Nock: Howie Smith / Mike Nock: Opal Dream

Howie Smith / Mike Nock: Howie Smith / Mike Nock: Opal Dream

By Matt Marshall
February 27, 2013
View read count

Howie Smith / Mike Nock: Howie Smith / Mike Nock: Opal Dream

Although their paths didn't cross until 1988, when they first met and performed together in Sydney, Australia, saxophonist

Howie Smith

saxophone

" data-original-title="" title="">Howie Smith and pianist

" data-original-title="" title="">Mike Nock are both important figures in the development of jazz Down Under. Nock, a native of New Zealand, returned to Australia in 1985 after working 25 years in the U.S. with the likes of tenor saxophonist Coleman Hawkins, reed player

Yusef Lateef

woodwinds
1920 - 2013

" data-original-title="" title="">Yusef Lateef and the pioneering fusion band The Fourth Way, which he helped found. A Fulbright grant brought Smith to the Sydney Conservatory of Music in 1973 to set up the first college-level jazz studies program in the country. While serving there as the Director of Jazz Studies for three years, he also composed and performed, most notably as a founding member of Jazz Co/op. But, more important than this Australian connection, the two share an affinity for musical exploration. Both have ventured far beyond the realms of jazz throughout their careers, covering everything from chamber music and ballet to rock and the outer stretches of the avant-garde.

It is this love of experimentation, and the improvisational chops that enable it, that are largely on display on Opal Dream. Along with five Smith compositions, two from Nock, and one from saxophonist

Charlie Mariano

saxophone, alto
1923 - 2009

" data-original-title="" title="">Charlie Mariano ("He's Gone"), the record offers 11 tracks improvised in the studio. These range from the appropriately dark and dreamlike keyboard-sax soundscapes of the album's early stages, to angular, crashing constructions like "Shadow Dancers" and "Earrational Number" that recall

John Cage

composer / conductor
1912 - 1992

" data-original-title="" title="">John Cage's work, to the traditionally infused numbers "Rag(ged) Time" and "Jamaican Rhumb," that channel—and warp—ragtime and calypso, respectively.

Nock favors a strong left hand, throughout, undergirding many of Smith's compositions and the improvisations alike with simple, repeated figures that leave plenty of open space into which cyclical right-hand lines and emphatic, jumping chords might slip beneath the twisting sax choruses. On his own tunes, "Ever Distant" and "Fallen Angel," however, Nock moves away from the minimalist approach and fashions fully fleshed, bittersweet piano melodies. Smith's soprano and alto sax playing is as emotive, searching, bluesy and whimsical as ever, with clear-throated notes lilting on melodic waves, lingering and expanding, launching into high-pitched wails, and descending as wonderfully curved streamers of metallic sound. "To Be, Ornette, To Be" and "Wayne's Whorl" (the album abounds with word, as well as sonic, play) dip into the innovations of saxophonists

Ornette Coleman

saxophone, alto
1930 - 2015

" data-original-title="" title="">Ornette Coleman and

Wayne Shorter

saxophone
1933 - 2023

" data-original-title="" title="">Wayne Shorter, the latter tune refashioned from a composition originally penned for the 13-piece Jazz Unit with which Smith plays. The title track, recorded not in Sydney in 2012, like the rest here, but 15 years prior at Cleveland State University (where Smith has taught since 1979), fashions a dreamscape flitting the gap between depression and spring-like expectation. The tune takes its rightful place at the album's core, reflecting its wavelengths forward and back.

For all its improvisation, Opal Dream works marvelously well as a whole, with the spontaneous pieces linking the compositions into a fully realized story, plotted, as it were, through the language and logic of dreams. Like dreams, this story picks up from the life of the dreamers, freely rearranges and twists the reference material, amplifies its emotional impact, and lays it out as something at once vibrantly new and warmly familiar. Here the life is music, and, lucky for the listener, the dreamers have already heard and played earfuls.

Learn more about our star rating system

Track Listing

Through a Window; Ever Distant; Landscape; Sail; The Magic Garden; To Be, Ornette, To Be; Rag(ged) Time; Shadow Dancers; Opal Dream; Counterclockwise; Earrational Number; Fallen Angel; Reflections/Refractions/Then Silence; Wayne��s Whorl; Yin-Yang; Jamaican Rhumb; He��s Gone.

Personnel

Howie Smith

saxophone

Howie Smith: saxophones; Mike Nock: keyboards.

Album information

Title: Howie Smith / Mike Nock: Opal Dream | Year Released: 2013 | Record Label: Open Blue Records

PREVIOUS / NEXT

Now Here This
< Previous

The Laura Nyro Project
Next >

Howie Smith Concerts

Sep 11 Thu

The Uninvited (haddad / Castaldi / Tomino / Smith)

BOP STOP
Cleveland, OH

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.