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Imogen Ryall: Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook

By Neil Duggan
December 8, 2023
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Imogen Ryall: Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook

In 1976, bassist

Charles Mingus

bass, acoustic
1922 - 1979

" data-original-title="" title="">Charles Mingus was suffering from a degenerative condition which had left him part-paralysed and unable to play or compose in a conventional manner. He still had a mind full of musical ideas so needed a collaborator. He had become aware of

Joni Mitchell

vocals
b.1943

" data-original-title="" title="">Joni Mitchell and thought she might be the right choice. For her part, Mitchell had gradually been escaping the confines of her folky image, flirting with jazz structures in her albums and saw an opportunity to work with one of her musical heroes. Mingus sang his melodies into a cassette recorder, Mitchell added lyrics and the arrangements developed over several recording sessions, eventually resulting in the album Mingus (Asylum Records) released in 1979 just after Mingus' death.

The album, consisting of three songs initiated by Mingus, two Mitchell compositions, a Mingus standard and a number of short interludes, became her worst-selling album of the 1970s. It received little radio play and a generally cold reception. Today, the album is seen as a key title in Mitchell's catalogue and a touchstone and inspiration for many jazz musicians. One of those is English singer

Imogen Ryall

vocals

" data-original-title="" title="">Imogen Ryall, whose album, Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook is a tribute to both musicians and the album they created.

Ryall, with three previous albums to her name, is a frequent performer at British jazz clubs and festivals and has worked with

Ingrid Laubrock

saxophone
b.1970

" data-original-title="" title="">Ingrid Laubrock,

Jim Mullen

guitar
b.1945

" data-original-title="" title="">Jim Mullen and

Bobby Wellins

saxophone, tenor
1936 - 2017

" data-original-title="" title="">Bobby Wellins. Her lyrics also appear on two albums by

Claire Martin

vocals
b.1967

" data-original-title="" title="">Claire Martin OBE. Ryall and her band have thoroughly submerged themselves in the world of Mingus and his aural environment. That band consists of saxophonist

Julian Nicholas

saxophone, tenor
b.1965

" data-original-title="" title="">Julian Nicholas, bassist Nigel Thomas, pianist

David Beebee

piano

" data-original-title="" title="">David Beebee and percussionist

Eric Ford

drums

" data-original-title="" title="">Eric Ford. Considering Mitchell had the likes of

Jaco Pastorius

bass, electric
1951 - 1987

" data-original-title="" title="">Jaco Pastorius,

Wayne Shorter

saxophone
1933 - 2023

" data-original-title="" title="">Wayne Shorter and

Herbie Hancock

piano
b.1940

" data-original-title="" title="">Herbie Hancock to call on, this album is an ambitious undertaking.

Three songs from Mingus' original tapes made it onto the original album. Ryall is superb in conveying the bittersweet regret of "A Chair in The Sky," her companions offering consummate support. "Sweet Sucker Dance" is transformed into a lightly-swinging smooth ballad with Nicholas' sax prominent over Thomas and Ford's well-matched rhythms. Mitchell's delivery on "The Dry Cleaner from Des Moines" was a masterclass in fast whip-smart vocals. Ryall brings her own precision with a scat-style vocal as Ford and Beebee provide swing.

The Mitchell-only contributions include "God Must Be a Boogie Man," with lyrics inspired by Mingus' autobiography, Beneath The Underdog. Here, Nicholas' saxophone swings in and Ryall's warm voice and clear-cut diction carry the narrative before the light funk in the sax and piano solos. "The Wolf That Lives in Lindsey" is a Mitchell-only tune with no Mingus connection. Ryall's version is a stand-out with authoritative vocals and narration, together with excellent background interplay.

There are a number of references in the interludes between tracks to Mingus Ah Um (Columbia, 1959). In addition, Ryall provides her own sensitive lyrics for Mingus' instrumental ballad, "Self Portrait in Three Colours." The album closes with another track taken from that album, also included on Mitchell's album, "Goodbye Pork Pie Hat," Mingus' tribute to the late saxophonist,

Lester Young

saxophone
1909 - 1959

" data-original-title="" title="">Lester Young.

There is no impersonation here, just a love of the musicians and the songs. Ryall's vocals are never overly showy and always in service to the material. Her empathetic partners are first-rate throughout and, from the sparest of original sonic palettes, arrange the material to suit their strengths. This is an ambitious album which takes plenty of risks. However, it has the power to take one by surprise and is an unexpected triumph.

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Track Listing

Boogie Stop Shuffle (interlude); God Must Be a Boogie Man; A Chair in the Sky; Duke's Choice (interlude); The Wolf That Lives in Lindsey; Sweet Sucker Dance; I'se a Muggin' (interlude); Self-Portrait in Three Colors; The Dry Cleaner from Des Moines; Better Git it in Your Soul (interlude); Good-Bye Pork Pie Hat.

Personnel

Imogen Ryall

vocals

Julian Nicholas

saxophone, tenor

Eric Ford

drums

Nigel Thomas

bass

David Beebee

piano

Album information

Title: Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook | Year Released: 2023 | Record Label: Rubicon

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