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Jimmy Cobb: We're Remembering U

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By Scott H. Thompson
May 27, 2020
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Drummer Jimmy Cobb was a 91-year old NEA Jazz Master who was (until recently) still playing hard and keeping the groove with his trio consisting of

Tadataka Unno

piano

" data-original-title="" title="">Tadataka Unno on piano and

" data-original-title="" title="">Paolo Benedettini on drums. Remembering U (his 12th album as a leader and first release on his own Jimmy Cobb World label) was released in August 2019 and features the late, great

Roy Hargrove

trumpet
1969 - 2018

" data-original-title="" title="">Roy Hargrove on trumpet/flugelhorn and

Javon Jackson

saxophone
b.1965

" data-original-title="" title="">Javon Jackson on tenor saxophone.

Cobb was also the last surviving member of the sessions that created the 1959

Miles Davis

trumpet
1926 - 1991

" data-original-title="" title="">Miles Davis jazz masterpiece Kind of Blue, the most acclaimed and best-selling jazz album of all time. Mostly self-taught, born January 20, 1929 in Washington D.C.—Jimmy was a cornerstone to works by Miles,

John Coltrane

saxophone
1926 - 1967

" data-original-title="" title="">John Coltrane,

Bill Evans

piano
1929 - 1980

" data-original-title="" title="">Bill Evans,

Cannonball Adderley

saxophone
1928 - 1975

" data-original-title="" title="">Cannonball Adderley,

Wynton Kelly

piano
1931 - 1971

" data-original-title="" title="">Wynton Kelly and

Paul Chambers

bass, acoustic
1935 - 1969

" data-original-title="" title="">Paul Chambers. He also played on Miles' Sketches of Spain, Someday My Prince Will Come, Live at Carnegie Hall, Live at the Blackhawk, Porgy and Bess and many other Miles Davis recordings.

Cobb played extensively with

Dinah Washington

vocals
1924 - 1963

" data-original-title="" title="">Dinah Washington,

Billie Holiday

vocals
1915 - 1959

" data-original-title="" title="">Billie Holiday, Pearl Bailey,

Clark Terry

trumpet
1920 - 2015

" data-original-title="" title="">Clark Terry,

Dizzy Gillespie

trumpet
1917 - 1993

" data-original-title="" title="">Dizzy Gillespie, Cannonball Adderley,

Wes Montgomery

guitar
1923 - 1968

" data-original-title="" title="">Wes Montgomery,

Sarah Vaughan

vocals
1924 - 1990

" data-original-title="" title="">Sarah Vaughan,

Freddie Hubbard

trumpet
1938 - 2008

" data-original-title="" title="">Freddie Hubbard...you name it!

"The trio came up with the idea of doing a tribute album," Cobb told me in this interview about Remembering U. "The pianist had been doing some gigs with Roy. We were thinking about doing a CD honoring Roy, so that's what we did."

This historic release was also the last recordings by legendary engineer Rudy Van Gelder. "Rudy said he thought I was one of the first guys to make one of his first recordings too. That was when he was working out of his mother's kitchen over in New Jersey. A long time ago," reminisces Jimmy.

"I met Roy in Texas when he was young. He was so young his mother would have to bring him to gigs," he adds. Hargrove played on Cobb's 2007 Cobb's Corner and also on 2009's Jazz in the Key of Blue.

Serena, my daughter, wanted to make the record. (Serena Cobb is the producer of Remembering U.) "I did the first song on that for my sister, entitled 'Eleanor,'" which features Roy and Javon Jackson," adds Jimmy.

Cobb takes on the journey, "I lived in this neighborhood where there was a lot of jazz being played. This friend of mine would come by and we'd play records. We would bang on the side of the tables with our knuckles with the rhythm of the music. I got interested in jazz because of him.

I picked the drums and I think it was just about being in the right place at the right time with the right equipment. The first road gig I did was with

Earl Bostic

saxophone, alto
1913 - 1965

" data-original-title="" title="">Earl Bostic. While living in D.C., there was a woman down the street that had a restaurant. She had a room upstairs and figured she could add some activity to the place, so she put a trio up there. That's where I started. Now Earl Bostic was looking for a drummer and he asked me if I wanted the gig. That was the first time anybody ever asked me to join up. So I met him in New York City for the gig... it was Dinah Washington and the Earl Bostic Band.

I met Cannonball Adderley on the road. We were doing a gig in Ft. Lauderdale and he was waiting outside of the hotel for us to show up. He wanted to get up to New York, so he was asking me questions about that. This was just after Bird had died. We got to be good friends. Eventually, I go the opportunity to join his band.

Cannonball introduced me to Miles Davis. Kind of Blue was just another session. I always thought Miles' recording sessions were good. I just thought it was another Miles Davis recording that was going to be good. Here it is 60 years later! I don't even think the record label thought that. (laugh) Miles was in cahoots with Bill Evans and Gil Evans. He always wanted to try something different."

At age 91, it was amazing to watch Jimmy Cobb work his magic, keeping things moving. The fact that he was actively playing for so long was a testament to his life style. "I think my longevity is due to a lot of the things—the guys were doing back then, I wasn't doing. Drugs and all that stuff, I never did that. That was the #1 help to keep me playing today.

To the young players out there today he left them with some words of wisdom, "Be interested and stay in school. Stay away from stuff that's going to hurt you. Stay in love with the drums and keep practicing."

Ed. Note: Scott Thompson shared this recent message from Jimmy Cobb, which illistrates the kindness and the professionalism that Jimmy afforded everyone who interacted with him. We wanted to share as well...

"Scott, it was a pleasure to work with you. You're the ultimate professional and your genuine love for the music shows. You're one of the best in the business." —Jimmy

Photo credit: Giuseppe Iazzolino

This article first appears in JazzInEurope.

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