Home » Jazz Articles » My Blue Note Obsession » Lee Morgan: Lee Morgan Indeed! 每 Blue Note 1538

Lee Morgan: Lee Morgan Indeed! 每 Blue Note 1538

By Marc Davis
January 7, 2015
View read count

The first time

Lee Morgan

trumpet
1938 - 1972

" data-original-title="" title="">Lee Morgan entered a recording studio, he was just 18 years old and he was leading his own band. More impressive, that band included soon-to-be-legendary pianist

Horace Silver

piano
1928 - 2014

" data-original-title="" title="">Horace Silver and drummer

" data-original-title="" title="">Philly Joe Jones.

This is the CD of that 1956 recording session. While the players were great, the music is merely ordinary—which isn't too surprising given the tender age of the leader. Indeed! is standard Blue Note hard bop by the guys who would, in various combinations, become the label's mainstays.

That's not a knock. This is a good record, and if you're a fan of hard bop, as I am, you'll like it. Morgan is very much the product of

Dizzy Gillespie

trumpet
1917 - 1993

" data-original-title="" title="">Dizzy Gillespie and

Fats Navarro

trumpet
1923 - 1950

" data-original-title="" title="">Fats Navarro. He sounds a bit like both, and he even played Dizzy's trademark horn with a bent bell.

The other horn player is a virtual unknown—saxman Clarence Sharpe, known to friends as C. Sharpe, or C#. In many numbers, he sounds like a

Charlie Parker

saxophone, alto
1920 - 1955

" data-original-title="" title="">Charlie Parker knockoff—again, no big surprise for a young alto player in 1956, a year after Bird's death. In Sharpe's 1990 obituary, The New York Times called him "the missing link between Charlie Parker and

Ornette Coleman

saxophone, alto
1930 - 2015

" data-original-title="" title="">Ornette Coleman." But that was later in life. Here, he's all bebop.

Same with Lee Morgan, who had a long and legendary career on Blue Note, recording something like 25 albums. This is the first, and it's no fault of the young 18-year-old that it's not yet as memorable as 1963's The Sidewinder. It's solid, enjoyable, if unoriginal, hard bop.

A couple of side notes: First, though the album has only one ballad, "The Lady," it is sweet and tender and nearly all Morgan. A real standout. Second, the cut "Gaza Strip" has absolutely no hints of Middle Eastern or Arabic influences. Wonder where the title came from. Finally, though Horace Silver is a member of the band, he mostly stays in the background, taking a handful of perfunctory solos.

All in all, a solid freshman outing, offering the promise of even better things to come.

Rating: 3 stars (out of 5) Availability: Many copies, new and used Cost: $5 used, $10 new

PREVIOUS / NEXT

Curiosity
< Previous

Tears And Rumba
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.