Home » Jazz Articles » Album Review » Ryan Meagher: Lost Days
Ryan Meagher: Lost Days
ByRyan Meagher
guitarb.1981
The Portland, Oregon-based Meagher is backed by a talented group. Tenor saxophonist

Bill McHenry
saxophone, tenor
Paul Motian
drums1931 - 2011

Andrew Cyrille
drumsb.1939

George Colligan
multi-instrumentalistb.1969

Chris Higgins
bassb.1967

Mark Ferber
drumsThe set begins with the funky blues-rock number "Bayou Brasilera." It lifts off with Meagher's solo, which juts above Colligan's Hammond. Then the organ and sax take turns soloing as Ferber shows off his mastery of the drum kit.
"Absurdly Delinquent" offers up a musical ode to an orange-streaked sunset. There's a sense of sophistication, helped along by Colligan's classy/glassy piano. The playful melody is covered by the sax, piano, and guitar in solos and in unison.
The title cut features Meagher's rockish solo. The song builds in intensity as Ferber drives the music forward and McHenry enters with fluid lines above the rocky atmospherics.
A highlight of the album, "Brook's Little Blues" makes magic when Meagher and McHenry play together. Meagher's guitar solo soars as Higgins walks the bass and Colligan's splashes chords in the background. McHenry's solo adds his own lyricism and his improvisation accelerates via a combination of tonguing and slurring. Then Colligan moves in with a piano solo of funk and blues. Ferber ends the piece with some ripping solos.
"Heart-Whole" opens with a Colligan piano solo that takes flight over Ferber's ever-solid drumming. The theme uses legato phrasing atop Colligan's chords. Meagher, McHenry, and Colligan all solo, each providing their own fascinating improvisations. The joyful tune stretches out like a panorama.
On "South Slope," Meagher, McHenry, and Colligan state the syncopated eighth-note up-and-down theme, and then they offer up solos above the ever-busy Ferber. Bassist Higgins gets a solo here too, and it bounces along happily.
Another friendly blues stroll "Deep Ocean Hall," features Colligan on the Wurlitzer under McHenry's sax solo. McHenry, Meagher and Colligan again solo, their lyrical phrases building one upon the other.
Using a 7/4 meter, "Meagher" is based on the

Matt Otto
saxophone, tenorb.1967
In an interesting twist, Meagher reprises "Bayou Brasiliera." This time around, he gives the song a calypso style with an "anything goes" approach. McHenry's solo bubbles with hooliganism. Colligan does a funky

Jimmy Smith
organ, Hammond B31925 - 2005
Lost Days is guaranteed to brighten one's day. Think Ferris Bueller. Time to escape the drudge and get lost in the revelry. One can be forgiven an urge to dance and bump around the room. After all, this is music of the soul. Enjoy! ">
Track Listing
Bayou Brasileira; Absurdly Delinquent; Lost Days; Brook’s Little Blues; Introduction to Heart-Whole; Heart-Whole; South Slope; Deep Ocean Hall; Meagher; Bayou Brasileira (Surf Reprise).
Personnel
Ryan Meagher
guitarRyan Meagher: guitar; Bill McHenry: tenor saxophone; George Colligan: piano, Hammond organ, Wurlitzer, Fender Rhodes; Chris Higgins: bass; Mark Ferber: drums.
Album information
Title: Lost Days | Year Released: 2018 | Record Label: Fresh Sound New Talent
Tags
Comments
PREVIOUS / NEXT
Support All About Jazz
