" data-original-title="" title="">Mike McKoy. The band, completed by Toni Belenguer (the best jazz trombonist in Spain), bassist Matt Baker, pianist Vicent Colonques and harmonica player Ignacio Aguilar (also playing didgeridoo), weave the perfect base for the story to move on in intensity and significance. In this format, without drums, the bass and acoustic guitar produce a rhythm like in the small swing bands of the '30s. The changing rhythms provided by the catchy and intelligent bass sound become the appropriate hanger for the charismatic trombone improvisations which suit a balanced connection with Mike McKoy's baritone voice. The keyboard role performs like tickling lights which give finess to the ironic lyrics and the hard background of the story, accented by the enigmatic didgeridoo, which shows up sporadically.

The album's index is formed by sixteen tracks which alternate a literary narration, working as prelude-with-blues tunes. These tunes offer the purest blues feeling through meaningful lyrics related to the story and the original arrangements. This work accomplishes a "less is more" principle, as the quality of the content comes from its simplicity and direct, raw and moralizing message. Ultimately, Ludwig Manhattan's Germaican Blues is a striking entertainment product in which jazz and blues wouldn't be completed without the literature and underlying philosophical concept that push them forward.