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Take Five With Suzanne Cloud
ByJazz singer-songwriter, educator, writer, and executive director of Jazz Bridge, a nonprofit that helps professional jazz and blues musicians in crisis.
Instrument(s):
vocals, piano
Teachers and/or influences?
My influences were wide and varied from the Broadway singer Mary Martin to jazz icon

Sarah Vaughan
vocals1924 - 1990
I knew I wanted to be a musician when...
I sang and danced "Carolina in the Morning" with my friend Sandy for a Brownie banquet when I was five.
Your sound and approach to music:
My sound changed after I blew my throat out singing disco six nights a week. After surgery on my vocal cords, I went from being a coloratura soprano with lots of vibrato to a rich alto with almost no vibrato. My approach to music is to listen to as much as you can (that's nothing new)for singers, you have to know hundreds of songs and that only comes from heavy absorption of the American songbook. And you have to know your way around a piano, even a little bit, to enhance your knowledge of what's going on around you when you're singing.
Your teaching approach:
I don't teach music. I teach history. But I guess my philosophy would be the same -to understand a moment in time, one must comprehend the context. For example, just listening to Billie Holiday's voice late in her career is not enough, you need to know what had happened to her in life. Just like

Lester Young
saxophone1909 - 1959
Your dream band:
I've already worked with my dream band: Pianists
Eddie Green
piano1933 - 2004

Jim Ridl
piano
Sid Simmons
piano1946 - 2010

Ron Thomas
pianob.1942

Tyrone Brown
bassb.1940

Chico Huff
bass, electricb.1955

Lee Smith
bass
Wayne Dockery
bassb.1941

Steve Beskrone
bassb.1955
Jim Miller
drums1954 - 2019

Jef Lee Johnson
guitar1958 - 2013
I'd like to work with almost anyone with something meaningful to say!
Road story: Your best or worst experience:
It was Y2KNew Years Eve in Philadelphia when the year was turning from 1999 to 2000. Every musician was getting paid big time that night and I wasn't any different. My band was Eddie Green, Jef Lee Johnson, Jim Miller, and Lee Smith and each of us were making $1,000 bucks for the night at a restaurant owned by Georges Perrier (of LeBec-Fin fame). They had hired us to be the high class jazz band upstairs and they would play disco downstairs. Well, that night the manager got roaring drunk and insisted that our band start playing top 40 disco hits. I said no, and he ripped my gown and almost threw me down some steps. Tense night. Old Georges declared he wouldn't give us our check, but we got paid after I threatened to sue him and his manager for assault...that night I decided I would never play another New Years Eve date. And I haven't.
Favorite venue:
Not Quite Cricket Room at the Latham Hotel, 17th and Walnut Streets in Philadelphia, PA. Very happy times for quite a few years.
Your favorite recording in your discography and why?
Now if you had asked, what is my least favorite...well I could probably answer that. But every recording has a story to it and I couldn't prioritize any of them.
The first Jazz album I bought was:
Sarah Vaughan: Live in Japan -Blew my head off!
What do you think is the most important thing you are contributing musically?
Helping professional jazz and blues musicians in the Philadelphia area when they are in times of trouble through Jazz Bridge. Founding this organization with Wendy Simon is my greatest achievementgreater than anything else I've done musically.
Did you know...
I like to hike and camp in the mountains.
CDs you are listening to now:
I listen to the channels I create on Pandora, so depending on my mood, I listen to classical, hard bop, folk, or ambient. It could be anything.
Desert Island picks:
George Gershwin: Concerto in F

Jaco Pastorius
bass, electric1951 - 1987

Gil Evans
composer / conductor1912 - 1988

Johnny Coles
trumpet1926 - 1997
Thelonius Monk: The Unique Thelonius Monk

Oliver Nelson
saxophone1932 - 1975
How would you describe the state of jazz today?
Healthy and well and spreading forth into the world's many corners.
What are some of the essential requirements to keep jazz alive and growing?
Live music
What is in the near future?
I'm working on two projects: One with jazz composer and orchestra leader

Bobby Zankel
saxophone, altob.1949

Uri Caine
pianob.1956

Mike Boone
bassWhat song would you like played at your funeral?
No funeral. Spread my ashes at Mt. Ampersand in the Adirondacks to the sound of the wind and birdsong.
What is your favorite song to whistle or sing in the shower?
"Honey Bun" from South Pacific.
If I weren't a jazz musician, I would be a:
War correspondent for the New York Times.
Tags
Suzanne Cloud
Take Five With...
United States
Pennsylvania
Philadelphia
Jazz Bridge
Sarah Vaughan
Lester Young
Eddie Green
Jim Ridl
Sid Simmons
Ron Thomas
Tyrone Brown
Chico Huff
Lee Smith
Wayne Dockery
Steve Beskrone
Jim Miller
Jef Lee Johnson
Jaco Pastorius
Gil Evans
Johnny Coles
Thelonius Monk
Oliver Nelson
Bobby Zankel
Uri Caine
Mike Boone
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