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Gil Evans

Born:
Ian Ernest Gilmore Green (or Gilmore Ian Rodrigo Green) was born May 13, 1912, in Toronto, Canada, the son of Margaret Julia MacChonechy and a father he never knew. He took the name of his stepfather, and thus became Gil Evans. His stepfather was a miner, whereas his mother took care of the children of rich families, and prepared meals for campsites. Moving wherever work would take them, they went from one North-American mining site to the next, including Saskatchewan, British Columbia, and such Northwestern U.S. states as Idaho, Montana, and Washington. Their child was put in boarding houses, moving from one family to the next, until they finally settled permanently in California, around 1922
Nick Finzer: The Jazz Orchestra Volume 1

by Carl Medsker
Listening chronologically to seven of Nick Finzer's preceding albums is enlightening and entertaining, making several aspects of his musicianship abundantly apparent. His trombone sound is full and expressive, his playing melodious and he can soulfully sing a ballad. Six albums, dating back to 2013, featured his highly talented sextet, a significant accomplishment that enhances the depth ...
Jamie Baum: These Are Her Times

by Dean Nardi
Jamie Baum is a world-class composer as well as flutist, who smoothly balances woodwinds with horns, guitar, bass, piano and drums so that they are equals. Her compositions can remind you of a Gil Evans arrangement with several decades of development added to create a thoroughly modern milieu. She mixes high-energy with ballads and Western foundations ...
Alex Harding, Lucian Ban: Blutopia

by Neri Pollastri
Il pianista Lucian Ban e il sassofonista baritono Alex Harding, assidui collaboratori dalla fine degli anni Novanta, riuniscono qui un quintetto di stelle per interpretare una musica assai diversificata di brano in brano e la cui sintesi è forse espressa da una citazione del filosofo Ibn Al-Arabi riportata nel libretto, la quale celebra il movimento quale ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation

by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
The Large Ensembles of Ryan Truesdell and Claire Cope

by Jerome Wilson
These are two excellent recent large ensemble jazz recordings. One celebrates the work of a venerated master composer and arranger while the other showcases an outstanding newer writing talent. Ryan Truesdell Shades of Sound Outside in Music 2025 This is the third release from Ryan Truesdell's Gil ...
Michael Arbenz meets Andy Sheppard: From Bach to Ellington - Live

by Neil Duggan
Recorded live at the Bird's Eye Jazz Club, Basel, Switzerland, in 2024, From Bach to Ellington--Live, has Swiss pianist Michael Arbenz and British saxophonist Andy Sheppard reinterpreting four of Duke Ellington's classics, together with two original pieces from Arbenz inspired by Johann Sebastian Bach. Arbenz came to All About Jazz's attention when, along with ...
The Maria Schneider Orchestra at Birdland

by Paul Reynolds
Maria Schneider Orchestra Birdland Jazz Club New York, NY May 30, 2025 The late set by Maria Schneider and her orchestra on Friday at Birdland Jazz Club was so engrossing as to be a world unto itself. Every aspect of the performance--even including, in the best way, the musicians' identities--bowed to ...
Ryan Truesdell: Shades of Sound

by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i ...
Atzko Kohashi & Tony Overwater: Porgy

by Dan McClenaghan
George Gershwin's 1935 folk opera, Porgy and Bess, a quintessentially American masterpiece, has had its share of jazz interpretations. Louis Armstrong and Ella Fitzgerald visited the work in 1957 on Verve Records. Pianist Oscar Peterson dug into the Gershwin score--again, on Verve--in 1959. But the most notable rendition is the Miles Davis/Gil Evans collaboration Porgy and ...