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The Mingus Big Band at The Django

A large, grateful crowd showed up to celebrate the return of a pivotal NY jazz fixture and the group did not disappoint.
The Django
New York City
November 11, 2021
Opened in 2016, The Django jazz club in SoHo advanced the regalement of post-pandemic activity in the Big Apple by restoring the Mingus Big Band to a weekly stage appearance. A large, grateful crowd showed up to celebrate the return of a pivotal NY jazz fixture and the group did not disappoint.
Mingus fans continue to celebrate the legacy of his compositional stylings decades after his passing in 1979. This has been in large part due to Sue Mingus' dedication to his legacyshe has labored to preserve his uniqueness through the establishment of the Mingus Big Band, The Mingus Dynasty Band and other Mingus repertory groups. These bands based in NY have communicated his message for decades here and facilitated understanding of his exploratory writing. His interest in classical, gospel, bop, and free jazz traditions has necessitated scholarly examination through the years, and now that study can continue to flourish. Mingus himself best expressed his approach in his liner notes to the 1959 album Blues and Roots: "I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing."
At the Django session, the musicians faithfully rendered these sentiments, in particular, executing Mingus' focus on adventurous soloingan approach taken earlier by

Duke Ellington
piano1899 - 1974

Wayne Escoffery
saxophone, tenorb.1975
Jason W. Marshall
saxophone, baritoneb.1983

Sarah Hanahan
saxophone, alto
David Lee Jones
saxophone
David Lee Jones
saxophone
Conrad Herwig
tromboneb.1959

Earl McIntyre
trombone, bass
Tatum Greenblatt
trumpetb.1982

Philip Harper
trumpetb.1965

Alex Norris
trumpet
Helen Sung
piano
Mike Richmond
bassb.1948

Adam Cruz
drumsb.1970
The band adhered to well-known selections from the Mingus oeuvre. In "Gunslinging Bird," Helen Sung's lyrical solo featured familiar changes in the bop idiom but this mainstream expression soon gave way to horn solos with modal, blues, dixieland, gospel, and free jazz references, all of which reflected Mingus' multifarious tastes. "Fables of Faubus" recalled Mingus' outcries against racial and social injustice with relevant solos from David Lee Jones and Philip Harper and "Invisible Lady" featured familiar harmonic dissonances from Sarah Hanahan and Conrad Herwig with intriguing rhythm interludes from Adam Cruz. Later soloing from Wayne Escoffery and bassist Mike Richmond completed the improvisational explorations initiated in the Mingus book of yore.
The Django, designed to reflect the Paris bo?tes and basements where

Django Reinhardt
guitar1910 - 1953
Tags
New York Beat
Nick Catalano
duke ellington
Wayne Escoffrey
Jason Marshal
Sarah Hanahan
Conrad Herwig
Adam Machaskee
Tatum Greenblatt
Philip Harper
Dr. Alex Pope Norris
Helen Sung
Mike Richmond
Adam Cruz
Reinhardt
Abraham Burton
David Lee Jones
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