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Garza / Fawcett / Wojtowicz: Moab
ByPeter Wojtowicz
bassJacob Fawcett
drumsBut then there is nothing like email to clear up ruminations concerning connections between ancient empires and 21st-century jazz. In response to a query concerning the music's relationship to the Kingdom of Moab, John Garza replies: "It does (have a connection), in an indirect way. The initial theme of Moab was a reflection on Moab in Utaha place that is both beautiful and majestic, but which also has some darker underpinnings, i.e. nuclear testing back in the middle 20th century, the displacement of some native peoples. I became sensitive to this largely as a result of Jacob Fawcett, our drummer who is Native American. And, as we continued to think about it, there is a similar 'displacement' history in the Middle Eastern Kingdom of Moab."
With that cleared up, "Bloom Late" opens the show with Garza's guitar sounding metallically resonant, the way that bluesman

John Lee Hooker
guitar1917 - 2001
"Bogart" features ringing chords over a rhythmic shuffle. The effect is one of a Zen-like inevitability of the tune's unfolding, with Garza moving into a

Frank Zappa
guitar, electric1940 - 1993
"Throwness" wanders. The trio seems to be immersed in a mind meld. How long have they played together? The internet is not talking.
"Sonder (a chance at)" closes out the well-crafted show. It feels like a rebuttal to the ominous "Rumble," Link Wray's 1958 hit tune. It wraps things up with a statement of acceptance and peace rather than the imminent street fight vibe that Wray laid down all those years ago. ">
Track Listing
Bloom Late; Bogart; Wrong Room; Moab; Thrownness; Sonder (a chance at).
Personnel
Album information
Title: Moab | Year Released: 2024 | Record Label: Self-Produced
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