
Airto Moreira
percussionb.1941
In its 1974 review, DownBeat wrote of Airto's Fingers that listening is a pleasure, but moving to it is more so." Now available for the first time ever on CD, the remarkable Brazilian percussionist Airto Moreira, joined by his wife and frequent partner, vocalist/percussionist Flora Purim
vocals
b.1942
Also available for the first time on CD, Jackie & Roy's A Wilder Alias (1974) is a fascinating detour for one of the most enduring and popular vocal duos in modern jazz, with a title that puns on the name of their favorite songwriter, Alec Wilder. On their one and only CTI recording, Jackie Cain and Roy Kral left behind their traditional, cool style to experiment with fusion, on a completely original album (Kral wrote all the tunes and plays electric piano on most of the tracks) built on dazzling wordless vocals and unconventional song structures.
A 1972 Grammy? nominee for Best Jazz Performance by a Group, Joe Farrell's Outback is brilliant ... a stunner," writes Allmusic.com, an album that is at least as inspired as anything Farrell ever recorded, and perhaps more so." Joined here by Chick Corea
piano
1941 - 2021Elvin Jones
drums
1927 - 2004
Blue Moses was pianist Randy Weston's most popular recording, reaching No. 16 on the Billboard Jazz chart in 1972. Backed by Freddie Hubbard
trumpet
1938 - 2008Don Sebesky
arranger
1937 - 2023
Sony MASTERWORKS Jazz kicked off the 40th anniversary celebration with the release of CTI Records: The Cool Revolution, a deluxe 4-CD multi-artist box set retrospective in 2010. Receiving rave reviews, The Associated Press dubbed it ..."the most comprehensive anthology to date" and NPR said it was ..." as striking a portrait of the Jazz World in the '70s as you'll find anywhere."
Also released in Fall 2010 was the double-CD restoration of California Concert: The Hollywood Palladium (1971) which included 90-minutes of music rarely heard and never before available. It is the most complete version of the historic Hollywood Palladium all-star concert recorded July 18, 1971. It doubles the content of the original five-song LP release with five additional tracksthree of them previously unreleasedand restores the original concert sequence for the first time. Creed Taylor hand-picked a dream team of CTI artists for the occasion: Freddie Hubbard, Hubert Laws
woodwinds
b.1939Hank Crawford
saxophone, alto
1934 - 2009Stanley Turrentine
saxophone, tenor
1934 - 2000George Benson
guitar
b.1943Ron Carter
bass
b.1937
In the 1970s, CTI, its music, its style and its discriminating quality transformed contemporary jazz. The roster worked almost like a repertory company, in which great musicians took turns in the spotlight and accompanying each other. The albums they and their colleagues created set new standards in their look as well as their sound. [Creed Taylor's] plan was ingeniously simple, yet famously maverick: record top-tier musicians, keeping their artistic integrity intact while also making their art palatable to the people. CTI thus achieved that rare balance of jazz and commercialism," writes Dan Ouellette in the liner notes. CTI surpassed the majors and fellow indies to be named the #1 Jazz Label of 1974 by Billboard. The immediate success of CTI's recordings has echoed across the decades in a profound influence on jazz, pop, R&B and hip-hop.
For more information on these releases, please visit www.CTIMasterworks.com.
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