A unique collection of solo piano compositions and improvisations from the producer of Chris Cornell, The Civil Wars, Holly Williams, Ben Rector, Ladysmith Black Mambazo, and The Lone Bellow.
Grammy award-winning record producer Charlie Peacock adds another solo piano chapter to his diverse musical story, Trout Creek Ranch, his 5th jazz recording (3/04/21). The album was recorded in Studio C at Sear Sound, NYC, September 29th, 2017.
As the sonic architect behind the best-selling music duo, The Civil Wars, Peacock is largely known for his deft and moving productions, including “Misery Chain” by the late Chris Cornell from the soundtrack of Twelve Years a Slave and “Hush” the title theme to the AMC drama Turn: Washington’s Spies featuring Joy Williams and The National’s Matt Berninger.
Though it’s been decades since impresarios “Bill Graham and Chris Blackwell plucked him from the San Francisco punk/pop underground and pegged him for stardom” (Keyboard), Peacock often steers clear of the mainstream (despite his significant mainstream success). In 2014, Peacock explained it this way:
“I’ve never been one to put too much stock in commercial peaks. Thankfully (as a producer and songwriter) I’ve had several, but I’ve always been after a lasting career—one that never peaks— just gets better. Artists I admire, like
Grammy award-winning record producer Charlie Peacock adds another solo piano chapter to his diverse musical story, Trout Creek Ranch, his 5th jazz recording (3/04/21). The album was recorded in Studio C at Sear Sound, NYC, September 29th, 2017.
As the sonic architect behind the best-selling music duo, The Civil Wars, Peacock is largely known for his deft and moving productions, including “Misery Chain” by the late Chris Cornell from the soundtrack of Twelve Years a Slave and “Hush” the title theme to the AMC drama Turn: Washington’s Spies featuring Joy Williams and The National’s Matt Berninger.
Though it’s been decades since impresarios “Bill Graham and Chris Blackwell plucked him from the San Francisco punk/pop underground and pegged him for stardom” (Keyboard), Peacock often steers clear of the mainstream (despite his significant mainstream success). In 2014, Peacock explained it this way:
“I’ve never been one to put too much stock in commercial peaks. Thankfully (as a producer and songwriter) I’ve had several, but I’ve always been after a lasting career—one that never peaks— just gets better. Artists I admire, like
Louis Armstrong
trumpet and vocals1901 - 1971
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