Songlines Recordings Releases "Shores Against Silence," The First Of A Two-CD Set Featuring Works By Patrick Zimmerli Spanning The Past 25 Years
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data-original-title="" title="">Patrick Zimmerli offers a unique view on the evolution of musical and artistic ideas on his latest recordings: Shores Against Silence and Clockworks. Recorded in 1992 and circulated only as an underground tape in the New York scene, Shores Against Silence is being released commercially for the first time this November. Bookending a compositional arc that began 25 years ago, Zimmerli now revisits his early musical ideas in Clockworks, commissioned by Chamber Music America, and to be released as a pendant CD in 2017. This two-CD conversation between past and present spans a quarter-century's worth of artistic exploration.
The music of Shores Against Silence combines elements of jazz and 20th-Century music, exploring extremely complex rhythmic and structural concepts. It is both preoccupied with the jazz tradition and departing from it radically. This often extravagantly abstract music is always grounded in melody, and displays an interest in extramusical sources such as mythology, the visual arts, and literature. “The world of jazz at that time was sharply divided between jazz traditionalists and the downtown scene, which was centered around free improvisation,” says Zimmerli. “Neither camp knew what to make of my music.”
But the ensuing 25 years have seen tremendous changes in jazz, making Zimmerli’s highly complex approach to rhythm, harmony, and form more acceptable. “Shores is now more within the range of other jazz that exists. It makes more sense to bring this music out now than ever before.”
Zimmerli is joined by pianist
The music of Shores Against Silence combines elements of jazz and 20th-Century music, exploring extremely complex rhythmic and structural concepts. It is both preoccupied with the jazz tradition and departing from it radically. This often extravagantly abstract music is always grounded in melody, and displays an interest in extramusical sources such as mythology, the visual arts, and literature. “The world of jazz at that time was sharply divided between jazz traditionalists and the downtown scene, which was centered around free improvisation,” says Zimmerli. “Neither camp knew what to make of my music.”
But the ensuing 25 years have seen tremendous changes in jazz, making Zimmerli’s highly complex approach to rhythm, harmony, and form more acceptable. “Shores is now more within the range of other jazz that exists. It makes more sense to bring this music out now than ever before.”
Zimmerli is joined by pianist

Kevin Hays
pianob.1968

Larry Grenadier
bass, acousticb.1966

Tom Rainey
drumsb.1957
While not imitative, Shores is directly rooted in the jazz tradition—swing plays a huge role, most explicitly in “Hephaestus,” “Athena” and “Soft Blues,” but also in the other pieces. At the same time its formal intricacy is often hidden, and the music can come off as having a very free sound. The central work of the CD, “The Paw,” was selected as the winner of the first annual Thelonious Monk Composers Competition in 1993. The title takes its name from the composer’s belief that the artist’s “paw” or imprint could and should still be meaningfully present in the creation of compelling new work. The common thread throughout Shores and all of Zimmerli’s work is a real commitment to exploring fresh possibilities. According to the Financial Times, “his motifs are meticulously developed and his textures atmospheric.”
Tracks: The Paw, Three Dreams of Repose, Hephaestus, Conceptualysis, Athena, Soft Blues. (38:01)
Performers: Patrick Zimmerli Quartet featuring Patrick Zimmerli (tenor saxophone), Larry Grenadier (bass), Kevin Hays (piano), and Tom Rainey (drums).
About Patrick Zimmerli
New York- and Paris-based composer/saxophonist Patrick Zimmerli writes a sophisticated yet approachable hybrid of contemporary classical and jazz music. Recent collaborators include

Joshua Redman
saxophoneb.1969

Brad Mehldau
pianob.1970

Brian Blade
drumsb.1970

Luciana Souza
vocalsZimmerli has written numerous orchestral, chamber and choral works, including two four-movement Piano Trios for the Seattle Chamber Music Festival and two four-movement Piano Concertos with jazz percussion, written for the Metamorphosen Chamber Orchestra and pianists Ethan Iverson and Sonia Dubinsky. Zimmerli’s Aspects of Darkness and Light, an evening- length work commissioned by the Seattle Commissioning Club, was recently recorded by Joshua Redman, Brooklyn Rider, bassist Scott Colley and percussionist Satoshi Takeishi for Nonesuch Recordings (Warner). His Signs of Life was recently released on Deutsche Grammophon by French pianist Thomas Enhco and percussionist Vassilena Serafimova. Upcoming projects include a large-scale oratorio for male choir, operatic tenor, jazz percussion and piano on the work of Alan Seeger, to be premiered at the storied Invalides in Paris in 2017; and a collaboration with the Paris Percussion Group at the Centre Pompidou in Paris.
Zimmerli was awarded the 2015 Chamber Music America New Jazz Works Grant, supported by the Doris Duke Charitable Foundation. He was also the winner of the CLICK People’s Orchestral Commission from the Colorado Music Festival. Other commissions have come from the Saint Paul Chamber Orchestra, the Colorado College Summer Music Festival, the Ying String Quartet, Brown University, violinist Timothy Fain, and the Arizona Friends of Chamber Music. From 2002-05, Zimmerli served as Composer in Residence with the Metamorphosen Chamber Orchestra. Awards include first prize in the first annual BMI/Thelonious Monk Institute Composers Competition. Zimmerli music has been featured in MoMA’s Summergarden series, at the Guggenheim Museum, on NPR and at the Jazz Composers Collective. His work has been recorded on the Naxos, Nonesuch (Warner), Blue Note, Arabesque, Antilles, Songlines, Jazz City and Na?ve labels. Zimmerli is the curator of the IN/TER\SECT concert series at Bryant Park in Manhattan.
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Personnel
Patrick Zimmerli
saxophoneAlbum information
Title: Shores Against Silence | Year Released: 2016 | Record Label: Songlines Recordings
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Recording
Patrick Zimmerli
AMT Public Relations
April Thibeault
United States
Kevin Hays
Larry Grenadier
Tom Rainey
Joshua Redman
brad mehldau
Brian Blade
Luciana Souza