
Stratusphunk is the story of remarkable musician and a remarkable man. Through his ideas and music, composer, theorist and musician George Russell joins the dots in modern jazz from bebop, though modal and free jazz and into jazz rock. It is hard to imagine another artist, who was both so influential but also so misunderstood. For the first time in paperback and in a newly revised edition, Stratusphunk makes Russell’s story, music and theories available to scholars, students and fans.
Throughout his life, George Russell confronted and overcame the many obstacles thrown in his way of racism, class inequalities and life-threatening illnesses. Widely acknowledged for his influence on the many of the developments in jazz from the fifties onwards, Russell’s impact on the music came from his writings and teaching as much as from his compositions and recordings. His life’s work, the Lydian Chromatic Concept of Tonal Organization (described by
Throughout his life, George Russell confronted and overcame the many obstacles thrown in his way of racism, class inequalities and life-threatening illnesses. Widely acknowledged for his influence on the many of the developments in jazz from the fifties onwards, Russell’s impact on the music came from his writings and teaching as much as from his compositions and recordings. His life’s work, the Lydian Chromatic Concept of Tonal Organization (described by

Archie Shepp
saxophone, tenorb.1937