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Ojai Music Festival 2019

Suddenly, in the past few years, the jazz portion of the (contemporary music-geared Ojai Music Festival) story has been shifting and expanding in relevant ways... this year's roster included jazz- related artists John Zorn, Tyshawn Sorey, and Mark-Anthony Turnage.
Libbey Bowl, and other venues
Ojai, California
June 6-9, 2019
In the storied and still-evolving story of the Ojai Music Festival, one of America's most important contemporary music-minded festivals, the roots system run deep into mid-century Modernism and late 20th century post-Modernist impulses and up to the current, pluralistic musical minute. The idyllic hideaway town of Ojaian hour and a world away from Los Angelesdrew Krishnamurti here as a pilgrimage site-maker and lured subsequent waves of mystics, artists, urban escapees, bohemians, and, thanks to the now 73-year-old festival, a hallowed legacy of living classical musical giants for one week a year.
Stravinsky was here twice as musical director in the '60s, and his music continues to be a signature, as it was in June, when this year's inspired music director, conductor-soprano Barbara Hannigan opened the 2019 festival with her new take on Stavinsky's opera Rake's Progress and had his neo-classical charmer, Pulcinella Suite, on the closing night program. The list of composers who have directed and or been featured in Ojai includes Aaron Copland, John Adams, Lukas Foss, Esa-Pekka Salonen, Gyorgy Kurtag,
Quite naturally, jazzalong with serialism, the most important musical invention of the 20th centuryhas a place in the larger matrix of the musical program here but has had a checkered history of finding its way into the festival's conversation. The festival has experimented with token jazz sets by Los Angeles players, with strange results. Perhaps the most successful jazz-rooted occasion at least in this Millennium came in 2001, when British composer Mark-Anthony Turnage's powerful jazz-classical piece Blood on the Floor was a featured work: originally done with

John Scofield
guitarb.1951

Mike Miller
guitar
Vijay Iyer
pianob.1971
Jennifer Koh
violin
George Lewis
tromboneb.1952

Tyshawn Sorey
drumsb.1980

Roscoe Mitchell
saxophoneb.1940

Muhal Richard Abrams
piano1930 - 2017
In the 2019 program, Soreywho had also appeared in the 2016 Ojai festival, premiering a workshop version of his Josephine Baker meditation for the sensational soprano Julia Bullockagain showed up, only as composer in absentia. Sorey's piece Everything Changes, Nothing Changes was performed by the ever-on-it JACK Quartet on the first of three "sunrise" concerts at 8 a.m.among the more provocative events of the long weekend. This concert took place at the meditation outpost called "SANE Living Center" (a very Ojai moniker, that), and opened with Clara Iannotta's atomically atmospheric dead wasps in the jam-jar, an ideal concert-mate for Sorey's dogmatically soft, breathing, microtonally-inflected and dissonant chords laid out by the string players with a calm reminiscent of Morton Feldman's music.
Also on Hannigan's 2019 roster, for that matter, was another figure the jazz world likes to claim as one of their own, against his will

John Zorn
saxophone, altob.1953
We also savored another jazz-infusedand tragic themedwork by Turnage. His works have often been infused with sad circumstances, from the drug overdose death of his brother in Blood on the Floor to the melancholic twist on Ralph Vaughan Williams, ala jazz, A Man Descending (featuring

Joe Lovano
drumsb.1952

Miles Davis
trumpet1926 - 1991
Sunday night's finale went to another jazz-connected icon,

George Gershwin
composer / conductor1898 - 1937
One takeaway verdict from this year's festival was a sense of awe over its music director. Hannigan, who began as a soprano to the stars of contemporary music twenty-plus years ago and has shown herself to be an important conductor in recent years, is staggeringly and organically gifted. All weekend, she dazzled, as a soprano who navigated "Embraceable You," the thorny twists of Zorn's alternately lyrical and spidery Jumalattaretbased on the Finnish epic Kalevela and premiered at last year's Jazz em Agosto fest in Libsonas well as the haunting incantations of the late "Spectralist" master Gerard Grisey's Quatre chants pour franchir le seuil, quite possibly the pinnacle of the entire festival.
Grisey might not immediately spring to mind on lists of classical composers most likely to have an impact onor be considered a parallel language tothe jazz canon by any traditional definition. Even so, the world-renowned Ojai Festival's style scope is presently in a fascinating widening phase, taking into account six degrees of jazz and the shifting creative strategies of many emerging and presumable "jazz" artists. It's a trend worth keeping tabs on.
Tags
Live Reviews
john zorn
Josef Woodard
United States
California
Santa Barbara
Stravinsky
Barbara Hannigan
Aaron Copland
John Adams
Gy?rgy Kurtág
Olivier Messiaen
Pierre Boulez
Mark- Anthony Turnage's
John Scofield
Mike Miller
Vijay Iyer
Tom Morris
Jennifer Koh
The Trio
Roscoe Mitchell
Muhal Richard Abrams
Julia Bullock
JACK Quartet
Clara Iannotta's
Ralph Vaughan Williams
joe lovano
Anton Webern
Miles Davis
George Gershwin
Tyshawn Sorey
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