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John Beasley: Positootly!

By Larry Taylor
September 8, 2009
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On Positootly!, pianist John Beasley explores a variety of styles for a thoroughly enjoyable and stimulating experience. Each track benefits immensely from the indelible touch of drumming great

Jeff Tain Watts

drums
b.1960

" data-original-title="" title="">Jeff Tain Watts, in alliance here with percussionist Munyungo Jackson.

Hailing from Louisiana, Beasley started playing in the late seventies, getting his seasoning with such jazz greats as

Miles Davis

trumpet
1926 - 1991

" data-original-title="" title="">Miles Davis,

Freddie Hubbard

trumpet
1938 - 2008

" data-original-title="" title="">Freddie Hubbard and

Dianne Reeves

vocals
b.1956

" data-original-title="" title="">Dianne Reeves. Lately, he has gravitated towards composing for film and television, but he continues to release new music and tour with his band.

This recording follows-up Letter to Herbie (Resonance, 2008), in which Beasley presented an impressionistic take on

Herbie Hancock

piano
b.1940

" data-original-title="" title="">Herbie Hancock's music. Besides Watts and Jackson on drums, the musicians participating here are bassist

James Genus

bass
b.1966

" data-original-title="" title="">James Genus, along with the blistering front line of saxophonist

Bennie Maupin

woodwinds
b.1940

" data-original-title="" title="">Bennie Maupin and trumpeter

Brian Lynch

trumpet
b.1956

" data-original-title="" title="">Brian Lynch.

Most numbers are Beasley originals with three notable exceptions. The standout is a knockout rendition of, Argentine composer

" data-original-title="" title="">Astor Piazzolla's tango "Tanguedia III." On most selections, Beasley plays piano, but here he uses Fender Rhodes and synthesizer to create bandoneon accordion effects essential to tango. It's uniquely tango-jazz all the way in 2/4 start-stop fashion, building to a dynamic climax

Other selections range from funk and soul to bop and bossa nova. Staying in a South American vein, Beasley puts forth his take on

Antonio Carlos Jobim

piano
1927 - 1994

" data-original-title="" title="">Antonio Carlos Jobim's "Dindi." Genus' bass sets the tone for this soft reflective piece, with the piano delivering softly swaying interludes. Watts and Jackson, as expected, add complexity to the beat.

A further highlight is Beasley's "Black Thunder," dedicated to the late drummer

Elvin Jones

drums
1927 - 2004

" data-original-title="" title="">Elvin Jones, and featuring Watts as a positive dynamo with pounding sticks. Maupin and Lynch deliver stirring solos as well. On Beasley's vigorous "The Eight Winds," Lynch's muted trumpet effectively leads the pianist into a burning,double-time solo, again resolutely backed by the churning drum duo.

For hard boppers, there is Beasley's opener, "Caddo Bayou," featuring the whole band in this energized tribute to the leader's hometown. For soulful funk there is

Bobby Timmons

piano
1935 - 1974

" data-original-title="" title="">Bobby Timmons "So Tired," with Beasley again On Fender Rhodes, framing Maupin's strong tenor solo.

Since positivity is the theme of this CD, it is fitting that it ends with the piano solo piece "Hope, Arkansas," Beasley's stately ode to Obama's presidency.

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Track Listing

Caddo Bayou; Positootly!; Dindi ; Black Thunder; Shatita Boom Boom; Tanguedia III; Elle; So Tired; Eight Winds; Hope...Arkansas.

Personnel

John Beasley

piano

John Beasley: piano, Fender Rhodes, synthesizer; Bennie Maupin: tenor and soprano saxophones; Brian Lynch: trumpet; James Genus: bass; Jeff "Tain" Watts: drums; Munyungo Jackson: percussion.

Album information

Title: Positootly! | Year Released: 2009 | Record Label: Resonance Records

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