A musician friend whose opinion I greatly respect shared with me that he enjoys listening to Pulsion, the fourth release by the Afro Latin Vintage Orchestra (ALVO), in two layers: The frothy jazz-influenced horn, brass and string arrangements on top and, like a musical parfait, the churning Latin, AfroCuban and other funk rhythms underneath.

ALVO was founded in 2007 around the core band of Masta Conga (percussionist, ringleader and spokesman), Benjamin Peyrot de Gachons (keyboards), Jean-Baptiste Feyt (trumpet), Max Hartock (drums), Elvis Martinez (guitar), Victor Dos Santos (alto and soprano saxophones, bass clarinet), and Philippe Vernier (baritone saxophone, clarinet, flute), a global conglomerate that Conga describes as "a space of creation all around, of various revolving musicians according to projects." They're joined on Pulsion by double-bassist David Battestini-Quadri and a string quartet. "On this fourth album, we tried a new approach by including various inspirations such as library music, spiritual and electric jazz funk, abstract hip-hop, with a touch of European groove and contemporary music," Conga explains.

The title track is quite representative of this entire piece: "Pulsion" opens with Battestini-Quadri's acoustic bass tethered to classic 1960s acoustic jazz but the other instrumentation, directed by Feyt's electric trumpet like a spectral spooky finger, quickly lifts the music like an untied balloon to float away and leave jazz behind. Even though trumpet is the lead instrument, the driving percussion rhythms frequently overtake this tune's center. "Shaman" grows from bass line doubled by piano into a hothouse flower of electric keyboards, growling reeds and other exotic sounds, and then navigates a freeform dialogue between saxophone, percussion and bass before settling into Congas's warm Latin percussion groove. "Shaman" would have also been a great title for this entire set. Rippling currents of electronics, horns, bass and strings set the subsequent soundstage for the cinematic "Drama."