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Raul De Souza: Colors
ByPicture this: a poor child grows up in Brazil working as a weaver and practicing trombone in conversations with a buffalo in the jungle, dreaming of someday becoming an internationally famous jazzman. Suddenly, this dream materializes: our hero arrives in the land of jazz, the U.S.A., and is soon playing with many of his idols. He feels as if he's living on a flying carpet. Then suddenly again, he leaves his family and job, returns to his homeland, and his career goes down-lull. Now, 20 years later, he looks for a new miracle, but it's not so easy.
These remembrances come apropos of this CD reissue of Colors, Raul's U.S. debut solo album, recorded when he was in his creative heyday and in the process of making his life long dream come true, when he started to be recognized as one of the world's greatest trombonists while living and working in the land of the best brass players.
Two angels were helping him at that time: singer

Flora Purim
vocalsb.1942

Airto Moreira
percussionb.1941
While the first bossa generation-represented by

Antonio Carlos Jobim
piano1927 - 1994

Luiz Bonfa
guitar, acoustic1922 - 2001

Joao Gilberto
vocals1931 - 2019

Sergio Mendes
piano1941 - 2024
A decade later, Raul would be reunited with Flora and Airto in the U.S. But, in the meantime, many other things had happened in the life of this extraordinary self-taught musician, who was born Joao Jose' Pereira De Souza in Rio, on August 23,1934, and who had his earliest musical experiences in childhood playing tambourine in the church where his father was minister. Later on, he tried trumpet, tuba, flute, and tenor saxophone, finally opting for the trombone while still in his teens. However, his first professional job, at 16, was playing tuba in the band of Fabrica Bangu, the textile factory where he was employed. "It was one of the most important industries in Rio at that time," Raul remembers. "Our main job in the band was to play at the opening parties of the many stores the facto ry had all over Rio, as well as during soccer games to encourage the teams."
In the army, Raul met the legendary drummer Edison Machado, where both served at the Footguard Regiment. when Raul left, he started to win all the radio contests, and had the opportunity to meet such giants as Pivinguinha, Waldir Azevedo, and Aftarniro Carrtlho. "Back in 19551 recorded a couple of albums with an all-star group called A Turma da Gafieira, led by Carriho and featuring myself, Edison Machado, Ze Bodega, and

Baden Powell
guitar, acoustic1937 - 2000
Sometime later, our hero accepted the invitation to join a Brazilian Air Force band, in Curitiba City, State of Parana,' where he started his long-term friendship with Airto Moreira, then a bolero singer in local nightclubs.
After remaining in Curitiba for five years, Raul lived briefly in Sao Paulo, but soon moved back to Rio, joining Sergio Mendes's Bossa Rio, a phenomenal hard-bossa sextet that recorded a very famous album, "Voce Ainda N?o Ouviu Nada." After touring Europe with Mendes in 1964, Raul became a member of Eumir Deodato's Os Catedraticos combo, cutting the Tremend?o album.
It was a very busy year. When Flora Purim recorded her debut album, Flora é MPM, Raul was in the trombone section of a big band assembled by drummer Dom Um Romao, then Flora's husband. Several other sessions followed, including such LPs as Quarteto em Cy (the debut album by the vocal group) and Trio 3D Conviaa (as a guest with Antonio Adolfo's trio). Not to mention Raul's own solo debut, A VontadeMesmo, released by RCA in January 1965 with Airto (then a member of the Sambalan~o Trio) playing drums throughout the session.
In late 1965, Raul once again traveled to Europe, eventual ly playing with drummer

Kenny Clarke
drums1914 - 1985
Raul was living in Acapulco when fortune smiled on him. His old buddies Flora and Airto, then at the peak of their popularity, wanted him to work with them in the States. Three days after he got the phone call, in August 1973, Raul arrived in Los Angeles and immediately joined their group on tour as opening act for the Crusaders. when the tour was over, he settled for a while in Boston, studying at the Berklee College of Music.
Back in L.A. the following year, Raul resumed his partner-ship with Airto and Flora, fascinating the jazz world with astonishing solos on Flora's Stories to Tell album for the Milestone label. Many sessions followed with the intrepid couple: Flora's Encounter Nothing Will Be as It Was. Tomorrow, Everyday Everynight, and Carry On; and Airto's Identity, Promises of the Sun, and I'm Fine, How Are You?.
Through his Brazilian guardian angels, Raul also signed with Milestone for this brilliant solo album, Colors. Recorded in October '74, it was produced by Airto, who received approval for the project from Milestone's A&R head, Orrin Keepnews, who'd been deeply impressed by Raul's performance on Flora's Stories to Tell. "Flora had just gone to jail," Raul recalls, "and Airto started to work as a producer because he needed money to pay the lawyers. He also needed to keep working all the time so he wouldn't think too much about what was going on."
There's no doubt that Raul was at his creative peak when cutting Colors, displaying his tremendous artistry in a way he was never able to do in subsequent projects. Still a new kid to on the block in L.A., he was incredulous as he watched Airto assemble a dream-team for the sessions. "I didn't believe it when he told me that two of my biggest idols ever were going to be involved," Raul says. One was trombone master

J.J. Johnson
trombone1924 - 2001

Snooky Young
trumpet1919 - 2011

Jerome Richardson
woodwinds1920 - 2000

Sahib Shihab
woodwinds1925 - 1989

Cannonball Adderley
saxophone1928 - 1975
In the rhythm section were bassist

Richard Davis
bass, acoustic1930 - 2023

Jack DeJohnette
drumsb.1942
Sounding as contemporary today as when it was originally released in spring 1975, Colors dazzles for its organic conception and the magnitude of its content. "Everybody played their asses off, there was a high energy in the studio," testifies Raul. Although there are three songs by Brazilian composers in the repertoire, it can't be classified as a Brazilian (or a Brazilian-oriented) album, but as a ravishing jazz album.
Raul bewitches the listener with the depth and agility of his improvisations throughout the seven tracks. It's impossible to choose his best solo, even though his work on Baden Powell's "Canto de Ossanha" (a stunning rush of ideas rendered in short phrases and accurate attacks), and on

Joe Zawinul
keyboards1932 - 2007
Besides playing with his usual rhythmic fury, DeJohnette also contributed "Festival," a calypso-tinged tune with an epic mood propelled by Airto's wild screams and percussion arsenal. Moacir Santos's masterpiece, "Nana," Raul's biggest hit on the European acid-jazz dancefloor scene, receives a funky treatment, while guitarist Barry Finnerty's "Chants to Burn" features an intensely vigorous approach blending fusion and hard-bop elements.
On the other hand,

Chick Corea
piano1941 - 2021
After the release of Colors, Raul recorded as a sideman on significant dates with

Cal Tjader
vibraphone1925 - 1982

Azar Lawrence
saxophoneb.1952

Sonny Rollins
saxophoneb.1930

Frank Rosolino
trombone1926 - 1978
The year before, after having recorded with fusion group Caldera on their self-titled debut album, Raul signed with Capitol and released two best-selling jazz-pop-funk-r&b albums produced by

George Duke
piano1946 - 2013
Unexpectedly, destiny once again intervened, this time changing things for the worse. After performing in Rio in August 1980 with an all-star ensemble (George Duke, Stanley Clarke, Airto, Ndugu, and Roland Bautista), Raul shocked everybody by deciding not to return to the U.S. He abandoned not only his international career, but also his American wife who had traveled to Brazil with him and went back to Los Angeles alone.
During the Eighties, Raul's career went downhill. Living in Sao Paulo, he performed only occasionally and recorded a couple of insignificant albums, doing sporadic studio work with Alex Merck,

Gilberto Gil
guitarb.1942

Toninho Horta
guitarCurrently, Raul divides his time between Paris and Rio. Previously unreleased mid-Seventies sessions with Georgie Fame came out in Europe (The In-Crowd), and a new great album, Rio, co-led by trombonist

Conrad Herwig
tromboneb.1959

Kai Winding
trombone1922 - 1983
Liner Notes copyright ? 2025 Arnaldo DeSouteiro.
Colors can be purchased here.
Contact Arnaldo DeSouteiro at All About Jazz.
Grammy-voting member, record producer, jazz journalist, historian and educator, screenplay writer, arranger.
Track Listing
Nana; Canto De Ossanha; Water Buffalo; Dr Honoris Causa; Festival; Crystal Silence; Chants To Burn.
Personnel
Raul De Souza
tromboneArnaldo DeSouteiro
producerAirto Moreira
percussionJ.J. Johnson
tromboneCannonball Adderley
saxophoneJack DeJohnette
drumsRichard Davis
bass, acousticTed Lo
pianoSahib Shihab
woodwindsKenneth Nash
percussionOscar Brashear
trumpetSnooky Young
trumpetDon Waldrop
tromboneGeorge Bohanon
tromboneOrrin Keepnews
producerAlbum information
Title: Colors | Year Released: 1999 | Record Label: Milestone
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