Jazz is powered by many things. Perhaps most notably, the expansive variety of independent record labels representing some of the more inspiring aspirations of the idiom. Reflecting the grit, passion and often sheer audacity to exist within an industry that makes little room for jazz, independent labels have established an expanse of music that exemplifies the very essence of the art form. For the past 30 years, Posi-Tone Records has championed this independent spirit, shining a light on a rich variety of world-class artistry that has shaped its own exquisite brand of jazz.

Legacy artists, monumental eras, mercurial sub-genres and young lions have always shaped the long-tail of jazz and its recorded history. And while capturing a listening audience's attention can feel like a moving target, Posi-Tone has consistently demonstrated a keen ear for positioning itself within a pantheon of labels that truly understand the past, present and future of jazz. Within its clever alchemy of old school philosophy and new school aptitude for cultivating elite modern talent, Posi-Tone's musical topography has evolved into a critical map for listeners navigating the panoramic byways of jazz.

Like so many musical adventures before it, Posi-Tone began in a garage. Marc Free, then a busy working musician, converted a spare space behind his mother's home in Venice, CA, into a makeshift recording studio. One DYI thought led to another and soon Free had built an underground label producing albums for the community of artists he routinely collaborated with. Ten years, and many records later, the music industry shifted and so did Free. Producing shows eventually led to the fateful introduction to Nick O'Toole, a fellow music connoisseur and sound engineer who remains his partner to this day.

Within this special combination of "insanely good chemistry, shared values and aesthetics," a unique, enduring partnership flourished. Settling on the musical principle and business sensibility of "positive, tone, and experience," Free and O'Toole revved up Posi-Tone Records, quickly moving their recording process to jazz's epicenter in New York City, while mixing the results at O'Toole's Woodland Studio in Lake Oswego, Oregon. Nurturing holistic partnerships with their artists, albums are produced around conversations about content, form, style and artistic expectations. For Free, "it's not really about having all the answers. It's about asking the right questions in the right order and then getting the music and story together with the right players that will take advantage of the opportunity at hand."

And those opportunities have been bountiful, with now more than two hundred releases featuring a remarkable variety of gifted musicians, bringing us to Something Blue; Posi-Tone's majestic album constructed with the latest cadre of veteran artists supporting Posi-Tone's position as one of the most vibrant independent labels in the business. Featuring saxophonists