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Verneri Pohjola & Black Motor: Rubidium

By Dan McClenaghan
February 14, 2013
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Just going by the name, for those unfamiliar with the thriving Scandinavian jazz scene, a group calling itself Black Motor might be mistaken for a heavy metal rock band—a smash-and-crash set of drums, a blasting three-chord guitar and a wall-shaking bass wrapped around bellowed lyrics. But the real Black Motor, a drums/bass/saxophone outfit—joined on Rubidium by trumpeter

Verneri Pohjola

trumpet

" data-original-title="" title="">Verneri Pohjola—is a Finish improvising jazz unit of the first order.

When a quartet consisting of two horns, bass and drums, with no chording instrument, is mentioned, comparisons with alto saxophonist

Ornette Coleman

saxophone, alto
1930 - 2015

" data-original-title="" title="">Ornette Coleman's groundbreaking groups of the late fifties and early sixties are inevitable. Coleman pioneered free jazz. Black Motor, with the guest trumpeter, take the Coleman approach and give it quite an original twist. The opening "Waltz" blares into existence with some loose, almost drunken blowing from Pohjola and tenor saxophonist Sami Sippola. Pohjola has a laidback, lyrical, folk music-like approach to melody that contrasts nicely with Sippola's gruffness, rough edges and sheer power. For those more familiar with American free jazz, they sound something like a meeting between tenor saxophonist

Rich Halley

saxophone, tenor

" data-original-title="" title="">Rich Halley and trumpeter

Ron Miles

cornet
1963 - 2022

" data-original-title="" title="">Ron Miles, blowing in front of the elastic and often tempestuous rhythm supplied by bassist Ville Rauhala and Simo Laihonen.

"Song of India," from the pen of Russian composer Nikolai Rimsky-Korsakov, begins as a gentle lullaby with some sedate two-horn harmony. Then Sippola steps out front, his saxophone's initially robust tone gathering to a scream like that of a bandsaw ripping through a sheet of galvanized steel, giving way to trumpeter Pohjola's restrained, no- wasted-notes beauty.

The music, all seventy minutes of it, proves riveting, but the title tune has to be singled out as a highlight. Rubidium is a rare, silver-white metal that burns when it comes into contact with water. "Rubidium," the song, begins at a low, controlled burn, with a Pohjola solo that has a pinched tight intensity of

Don Cherry

trumpet
1936 - 1995

" data-original-title="" title="">Don Cherry's pocket trumpet forays on Coleman's classic discs. Then Sippola's saxophone turns things into a conflagration, as black clouds roil up from the Rauhala/Laihonen rhythm team. And somewhere in there, low in the mix, sort of like pianist

Keith Jarrett

piano
b.1945

" data-original-title="" title="">Keith Jarrett's singing—after a trumpet/saxophone cyclone—someone gives voice to a wordless shout of unabashed and justifiable exuberance at what's just gone down.

And here's an unabashed and justifiable shout-out to a great seventy-plus minutes of improvised jazz from Finland.

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Track Listing

WWaltz; Song of India; Vainila; Alma; Rubidium; Old Papa's Blues; Sax-O-Phun; Kynnyspuulla; The Last Janitsar.

Personnel

Verneri Pohjola

trumpet

Vernerii Pohjola: trumpet; Sami Sippola: tenor and soprano saxophone; Ville Rauhala: double bass; Simo Laihonen: drums.

Album information

Title: Rubidium | Year Released: 2013 | Record Label: TUM Records

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