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SFJAZZ Collective at SFJAZZ

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Courtesy Don Dixon

By Harry S. Pariser
November 13, 2021
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SFJAZZ Collective
SFJAZZ Center
San Francisco, CA
October 31, 2021

Established by SFJAZZ, the San Francisco music-presentation nonprofit which hosts most events at its own San Francisco edifice, the

SFJAZZ Collective

band / ensemble / orchestra
b.2004

" data-original-title="" title="">SFJAZZ Collective, a group of established jazz musicians, has been making annual tours including material from one modern jazz great (such as

Miles Davis

trumpet
1926 - 1991

" data-original-title="" title="">Miles Davis or

" data-original-title="" title="">Herbie Hancock) as well as individual compositions penned by band members, all of whom are composers and arrangers. Every tour is recorded, and a limited-edition CD set is released of the shows. This one was recorded for posterity as well. As a response to the pandemic, this year the ensemble chose to present original compositions in tandem with socially relevant songs which have become standards.

Taking the stage at SFJAZZ's expansive Miner Auditorium, the ensemble—now led by virtuoso saxophonist

Chris Potter

saxophone, tenor
b.1971

" data-original-title="" title="">Chris Potter (who serves as musical director)—was introduced by SFJAZZ Executive Director, Randall Kline. San Francisco's own

Martin Luther McCoy

vocals

" data-original-title="" title="">Martin Luther McCoy then launched into the invocatory hymn "Lift Every Voice," which became a duet with co-vocalist

Gretchen Parlato

vocals

" data-original-title="" title="">Gretchen Parlato. For Potter's "Vicissitude," pianist and Venezuelan native (and Bay Area resident)

Edward Simon

piano
b.1969

" data-original-title="" title="">Edward Simon flowed lyrically on piano, executing a lovely solo before

Matt Brewer

bass
b.1983

" data-original-title="" title="">Matt Brewer and

Kendrick Scott

drums
b.1980

" data-original-title="" title="">Kendrick Scott kicked in on bass and drums respectively. The tune featured vibraphonist

Warren Wolf

vibraphone
b.1979

" data-original-title="" title="">Warren Wolf playing synthesizer and saw energized solos by Potter and Puerto Rico-born saxophonist

David Sanchez

saxophone, tenor
b.1968

" data-original-title="" title="">David Sanchez. Wolf also soloed on vibraphone.

Abbey Lincoln

vocals
1930 - 2010

" data-original-title="" title="">Abbey Lincoln's hopeful "Throw it away," next up, featured bassist Brewer and a solo by

Etienne Charles

trumpet
b.1983

" data-original-title="" title="">Etienne Charles followed by one from another fluent exercise from Potter.

"And keep your hand wide open Let the sun shine through 'cause you can never lose a thing If it belongs to you," sang Parlato.

Pianist Simon then introduced "8'46," an eloquent new composition which is exactly 8 minutes and 46 seconds long, corresponding with the exact interval in which Minneapolis police officer Derek Chauvin knelt on George Floyd's neck to execute him. With this composition, Simon intends to spread awareness of this brutal act, as well as the nation's chronic problems with police brutality. Parlato and McCoy added vocal tonalities, and the piece also featured Charles on trumpet and flugelhorn.

McCoy then led the charge into a rollicking version of

Marvin Gaye

" data-original-title="" title="">Marvin Gaye's classic "What's Going On" which featured punctuation by Charles; then S��nchez leapt into a solo while Brewer and Scott held down the backbeat; Wolf's vibraphone added eloquence, as Charles responded to the musical flow.

Octavia Butler's 1993 apocalyptic science fiction novel Parable of the Sower which takes place in a dystopian 2024— provided the inspiration for the tune "The Sower" which featured the vocalists harmonizing with the horns.

S��nchez spoke of the plight of marginalized Afro communities (which exist in Puerto Rico, Colombia, Honduras, Brazil and elsewhere) while introducing his dynamic composition "Ay Bendito" which featured blazing playing by S��nchez and Potter. The band devolved to a quartet before the other players re-entered to conclude.

With a heartfelt "Happy Halloween," Potter introduced his composition "Can You See/Mutuality." Vibes and drums offered percussive accents while as well as lyrical flute from Potter, harmonies from butterfly-caped Parlato, a duet between Potter and Kendrick and a solo from Charles near its conclusion.

Next up, Wolf's "All There Inside" featured vocals from, a vibraphone solo from Wolf, "Already Died For Her" again offered vocals from Parlato ("Don't you see where my heart has died"), Charles on flugelhorn and trumpet, Potter on bass clarinet, and Brewer on electric bass.

A standing ovation followed. The band exited and returned for "Unity"—a song which would not be out of place in a

Sun Ra Arkestra

band / ensemble / orchestra
b.1956

" data-original-title="" title="">Sun Ra Arkestra set—which featured vocals by McCoy, another vibraphone solo, stressed "unity and strength" and brought the evening to a conclusion.

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