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Ode to a Tenor Titan
by Bill Milkowski
The following is an excerpt from Chapter 8, “Going Solo, The Pittbull and The EWI" from Bill Milkowski's Ode to a Tenor Titan: The Life and Times and Music of Michael Brecker (Backbeat Books, 2022). By early 1986, Michael began formulating plans for his long-overdue solo debut. He was 37, a universally respected ...
Lost & Found Recordings: Pepper Adams, Sheila Jordan, David S. Ware
by David Brown
This week, lost and found recordings featuring Monk & Coltrane's final tour together, a lost movie soundtrack from Monk, a Sheila Jordan album she doesn't remember making, and other lost and found studio and live recordings from Pepper Adams, Bill Dixon & Cecil Taylor, Harold Land, David S. Ware, Ella Fitzgerald, Tim Berne Snakeoil and more! ...
Jazz Not War: Part 1
by Ludovico Granvassu
This time it felt quite inappropriate to be upbeat and excited about all the beautiful new albums that keep coming out. After an aggressive virus has brought the world to a near halt for almost two years, we are now facing another life-threatening turn of events, this time entirely man-made. The playlist features music inspired by ...
Bebop, Beats, and the Drive of Beat Literature
by Arthur R George
"Mulberry-eyed girls in black stockings, Smelling vaguely of mint jelly and last night's bongo drummer... fling their arrow legs / To the heavens / Losing their doubts in the beat" of San Francisco nights, announced poet Bob Kaufman's “Bagel Shop Jazz." (Solitudes Crowded with Loneliness, New Directions Publishing, 1965; Collected Poems of Bob Kaufman, City Lights, ...
John Coltrane Quartet: Song Of Praise: New York 1965 Revisited
by Chris May
There are a handful of live performances which, preserved on recordings, have acquired overarching importance in the jazz canon. Charlie Parker's one-night-only appearance at Toronto's Massey Hall in 1953, John Coltrane's weeklong residency at New York's Village Vanguard in 1961 and Miles Davis' at Chicago's Plugged Nickel in 1965 are amongst the longest established.
Riccardo Marogna e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Astratta ma viscerale. La qualità che desidero nei musicisti che suonano con me La pazienza[sorride, NdR]. Come musicista, il momento in cui sono stato più felice A quindici anni, i primi concertini in qualche bar di paese con la prima rock band.
Meet Jack Sirica
by Tessa Souter and Andrea Wolper
Self-raised on rock and roll, Jack Sirica's connection to music always comes back to rhythm. Sure, there was that teenage flirtation with a Fender Mustang electric guitar (which ended when his dad, worried about slipping grades, intervened), but Sirica credits Rolling Stones drummer Charlie Watts' swing feel on the ride cymbal for opening up his ears ...
Just in Bin: Delvon Lamarr, Irene Jalenti, Tony Malaby, Omri Ziegele, Marta Sanchez, and more
by David Brown
This week, recent releases, acquisitions and record store finds. Soul sounds from Delvon Lamarr Organ Trio, Sonny Stitt and Bunky Green, new releases from Tony Malaby, Rob Mazurek and Immanuel Wilkins, classics from Freddie Hubbard, Joe Henderson and the John Coltrane Trio, and more. Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out... ...
James Kitchman: First Quartet
by Chris May
In the pen portrait of London-based guitarist James Kitchman which is included on the website of his record label, Ubuntu Music, Kitchman singles out the five jazz musicians who have most inspired his playing. Four of them are saxophonists John Coltrane and Sonny Rollins and guitarists John Scofield and Bill Frisell--titans all, frequently cited as influences ...
Bill O'Connell: A Change Is Gonna Come
by Jack Bowers
Pianist Bill O'Connell, who has been at the top of his game for more than four decades with no signs of slowing down, says each of his albums is a snapshot of how he is feeling at a particular time in his life. A Change Is Gonna Come expresses O'Connell's frame of mind after enduring more ...
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