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Lennie Tristano
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A pianist of exceptional co-ordination and skill, for whom playing in different metres with each hand held no terrors, Lennie Tristano overcame blindness to become one of the leading teachers in jazz. While he was studying for his music degree in Chicago in the early 1940s, he had already begun playing and working with a circle of musicians who became his pupils - including saxophonist Lee Konitz and guitarist Billy Bauer. Tristano mastered the bebop style, playing both intricate runs and sustained chordal passages, and by the late 1940s was working in New York, where he made some significant discs with the musicians who had developed bebop - notably Charlie Parker and Dizzy Gillespie
The Song Poetry of Torhild Ostad and Kazzrie Jaxen
by Jakob Baekgaard
While many singers interpret songs, few elevate them into song poetry--a fusion of lyricism and phrasing that transcends genre. This rare quality emerges when voice, words, and musical interplay coalesce into something greater than the sum of their parts. It is a phenomenon found in the recent albums by Norwegian vocalist Torhild Ostad and pianist-singer Kazzrie ...
Dave Bass Trio: Trio Nuevo Vol 2
by Pierre Giroux
With Trio Nuevo Vol. 2, pianist Dave Bass continues to chart his unique course through the jazz landscape, delivering an album that is both grounded in tradition and fearlessly progressive. Joined by the superb Tyler Miles on bass and the ever- responsive Steve Helfand on drums, Bass offers a multifaceted recording that celebrates the breadth of ...
Dave Bass Trio: Trio Nuevo Vol 2
by Jack Kenny
This is a splendid, joyful, intriguing album. A captivating vitality and melodic intensity marks Dave Bass's piano playing. He immerses himself in each piece, which draws the listener in and carries them forward. The tight synergy between Tyler Miles (bass) and Steve Helfand (drums) drives the music. The musical selections span diverse jazz composers: Thelonious Monk, ...
Jason Stein: Anchors
by Giuseppe Segala
Il clarinetto basso vanta nel jazz contemporaneo una rosa di solisti eccellenti, a partire da Eric Dolphy, che ha letteralmente inventato un modo di interpretare lo strumento, di valorizzarne colori e incisività espressiva. Però la sua frequentazione, con lo stesso Dolphy e con personalità quali Michel Portal, John Surman, Vinny Golia, Marty Ehrlich, Don Byron, si ...
Ronan Guilfoyle's Bemusement Arcade: At Swing, Two Birds
by Ian Patterson
If there were Grammys for the most punning name for a jazz band, or for the most enigmatic album title, then Irish bassist Ronan Guilfoyle could well bag a brace. The title of the wonderfully coined Bemusement Arcade's debut album is a wordplay on Irish humorist Flann O'Brien's At Swim Two Birds (Longman Green & Co., ...
Perfection: Lennie Tristano - Wow (1949)
Between bebop in the mid—and late 1940s and hard bop in the mid-1950s and beyond, an exciting but short-lived jazz style surfaced known as cool. The movement was a product of formally educated jazz musicians who, at the tail end of the '40s integrated classical and jazz. The artists were had started out in bop but ...
Mantova Jazz Festival 2024
by Angelo Leonardi
Teatro Ariston, Auditorium Monteverdi Mantova Jazz 2024 Mantova 11 ottobre--16 novembre 2024 Il Mantova Jazz Festival conferma la sua rilevanza tra le rassegne autunnali italiane continuando a selezionare proposte d'alto profilo nel panorama nazionale e internazionale. Il festival prende il nome da Roberto Chiozzini, storico fondatore negli anni cinquanta del ...
Roy Haynes Revisited
by AAJ Staff
This article was first published on All About Jazz in January 1999. Roy Haynes is one of the few living legends remaining in jazz. He has been awarded the Danish Jazzpar prize, Grammys, and numerous other awards and polls. Haynes is the most versatile drummer in jazz history, do in most part to his ...
In the Brewing Luminous: The Life & Music of Cecil Taylor
by Ian Patterson
In the Brewing Luminous: The Life & Music of Cecil TaylorPhilip Freeman 344 Pages ISBN: # ISBN 978-3-9553-261-9 Wolke Verlag 2024 “The thing that makes jazz so interesting is that each man is his own academy," Cecil Taylor once said, (quoted by Val Wilmer in Jazz People, Da Capo, ...
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