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Ute Lemper: Pirate Jenny
by Scott Gudell
Germany's optimistic yet fragile Weimar Republic period was wedged between two brutal wars during the early 20th century. Extending from 1918 to 1933, it was proudly called the Jazz Age and the Golden Twenties and offered an abundance of free-flowing entertainment choices. It was also a time of inflation, chaos and conflict dominated by economic instability ...
Rinascita di primavera: una panoramica sui prossimi festival
by Libero Farnè
Alla fine di aprile finalmente il via è arrivato. Gli organizzatori di festival e rassegne da tempo si erano rimboccati le maniche in fiduciosa attesa della ripartenza, affrontando gradualmente tutti gli aspetti organizzativi, economici, promozionali relativi alla loro programmazione. Sono stati sei i mesi di silenzio, di sosta forzata della musica dal vivo. Gli ultimi concerti ...
Ute Lemper Channels Dietrich On 'Rendezvous With Marlene'
It takes a kind of fearlessness to address the mythical talent of superstar Marlene Dietrich. Dietrich’s stardom is legendary; her story a picaresque of adventure, fantasy, imagination, and coveted reality. Yet, if anyone can begin to touch Dietrich’s transcendent nature, to tell her story, it would have to be Berlin-born, New York-based Ute Lemper.? Lemper, a ...
Joanna Weinberg: The Piano Diaries
by C. Michael Bailey
Joanna Weinberg's The Piano Diaries is not exactly jazz, but it is also not exactly not jazz. Intended for the small stage--appropriate, given her work in several musicals and one-woman shows--the singer/composer's music lives in that overlap between cabaret and jazz. Relocating from South Africa to Sydney, Australia in 1997, the London-born Weinberg is a true ...
Love Songs
Label: Sony Music
Released: 2005
Track listing: Falling in Love Again; Peter, Peter, Komm Zu Mir Zurueck; Jonny; Love Me; Come Rain or Come Shine; A Guy Who Takes His Time; Baubles, Bangles, and Beads; La Vie en Rose; No Love. No Nothin'; Something I Dreamed Last Night; One for my Baby; Lili Marlene; Taking a Chance on Love; Let's Call it a Day.
Marlene Dietrich: Love Songs
by Jim Santella
Defining cabaret for generations to come, Marlene Dietrich recorded these songs between 1930 and 1959. As an established actress, she brought her charming way with a song to the big screen as modern cinema's first sex symbol. From film, she moved on to cabaret, never losing the unique earthy quality in her voice. The ...
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