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Nathan Davis
Born:
Nathan Davis - tenor and soprano saxophones, bass clarinet, educator.
An accomplished jazz master who has quietly garnered an impeccable reputation in both the recording and the academic arenas, Nathan Davis is truly one of the living treasures in jazz and one of its most sophisticated spokesmen as well.
Born Nathan Tate Davis on Feb. 15 1937, in Kansas City, Davis began to play trombone at the age of 17, but soon switched to reeds and became an accomplished player on flute, bass clarinet, tenor and soprano saxophones. His first noteworthy job was with the Jay McShann band, and a little later he became one of the few males who has ever played with the usually all-female International Sweethearts Of Rhythm. While studying at Kansas University, Davis lead a group with Carmell Jones; then army service in 1960 took him to Berlin. On leaving the army in 1963 he remained in Europe and was invited to Paris by Kenny "Klook" Clarke, with whom he played for most of the next six years.
Is It RSD Again Already?
by Patrick Burnette
RSD--or Record Store Day for you vinyl virgins--comes but once, er, or twice a year, and while the main focus is who will win the privilege to buy a color-vinyl edition of the Wicked soundtrack, there's a little bit of jazz sprinkled in there, too. The boys talk about four selections, three recently uncovered live dates ...
Nathan Davis, Ella Fitzgerald, The Freedom Affair & Sam Sadigursky
by Joe Dimino
We kick off the 904th episode of Neon Jazz with the incredible clarinet work of Sam Sadigursky, showcasing fresh tracks from his brilliant The Solomon Diaries series. From there, we dive into the Record Store Day spirit, spinning timeless cuts from legends like The Heath Brothers and Nathan Davis. Next up, we ride the soulful waves ...
Jazz Highlights for Record Store Day 2025
by Kyle Simpler
For most Americans, April brings to mind tax deadlines and spring cleaning. But for vinyl collectors, April means something far more exciting: Record Store Day. Each year, music lovers line up early for a chance to snag limited-edition releases--many of them archival treasures, rarities, or long-lost recordings brought back to life. While the overall selection spans ...
Nathan Davis Quintet: The Hip Walk
by Ken Dryden
There are numerous examples of talented American jazz musicians who had long careers but were overlooked by critics, broadcasters and much of the jazz audience, often because they spent decades as full time jazz educators, which limited their opportunities to tour in support of their recordings. Nathan Davis, primarily known as a tenor and soprano saxophonist, ...
Donald Byrd: Cookin' With Blue Note At Montreux
by Ian Patterson
Almost fifty years after the event, Donald Byrd's 1973 performance at the Montreux Jazz Festival finally sees the light of day. Several other artists on Blue Note's roster had performances released--in more timely manner--from the same edition of Claude Nobs festival, including Ronnie Foster, Bobbi Humphrey, Bobby Hutcherson and Marlena Shaw. In no small part, thanks ...
Live: Cookin' With Blue Note at Montreux
By Donald Byrd
Label: Blue Note Records
Released: 2022
Track listing: Black Byrd; You've Got It Bad Girl; The East; Introductions; Kwame; Poco-Mania.
Cookin' With Blue Note At Montreux
By Donald Byrd
Label: Blue Note Records
Released: 2022
Track listing: Black Byrd; You’ve Got It Bad Girl; The East; Introductions; Kwame; Poco-Mania.
Donald Byrd: Donald Byrd Live: Cookin' With Blue Note at Montreux
by Peter Jones
What a treat it must have been in 1973 to attend the Montreux Jazz Festival: the featured artists that year included Dexter Gordon, McCoy Tyner, Chico Hamilton, Sam Rivers, Bobbi Humphrey, Dr John, Marlena Shaw, Bobby Hutcherson... and Donald Byrd with his Tentet, whose July 5 performance is captured on this album. It was ...
Donald Byrd: Donald Byrd Live: Cookin' With Blue Note at Montreux
by Mike Jurkovic
With the release of his chart-topping, funk-fueled Black Byrd in 1973, Donald Byrd found himself in a volatile place in jazz circles. He was being hailed as having finally stepped out of Miles Davis' considerable shadow, while simultaneously many found the album to be Byrd's selling out his bop legacy for chart success. As most defining ...
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