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Teddy Wilson
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His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson's approach as their starting point. His early recordings were percussive and forceful, but as he matured his technique became graceful, almost elegant. He was a gifted artist who used the full range of his instrument to his advantage. His recordings with Billie Holiday and Benny Goodman’s trio and quartet during the 1930s are considered classics. Wilson was born in Austin, TX in 1912, his parents were both schoolteachers
The Summer Knows (un été 42)
by Artur Moral
Not so young, but still foolish: arduous is the path chosen by pianist, composer and singer Franck Amsallem, a lesser-known figure--outside his immediate performance circle--even among some of the jazz world's most avid and encyclopedic enthusiasts. Nevertheless, this musician's name should appear in that roster of outstanding French baby boomer keyboardists mentioned in Pierre de Bethmann: ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
Live at Newport 1956-69 + New Releases
by David Brown
Today we will bookend the show with new releases from Hiromi, Ambrose Akinmusire, Fred Hersch, Dan Weiss, and Phillippe Massé . In between, a summer selection of recordings originating from the Newport Jazz Festival between 1956 and 1969. Artists for this set will include Duke Ellington, Toshiko Akiyoshi, Dizzy Gillespie, Teddy Wilson, The Sextet, Thelonious Monk, ...
Gravity and Resurgence: The Many Dimensions of Dexter Gordon
by Arthur R George
Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...
Summer Sequence: Ralph Burns + Lucian Ban, Marta Sanchez and more
by David Brown
In the first set we have a birthday tribute to pianist and arranger Ralph Burns, born June 29, 1922. In jazz, Burns is best known for his work with Woody Herman's “Second Herd" as the band's pianist and chief arranger. Let's also explore his ensemble work and then his string arrangements for Ben Webster, Ray Charles ...
Violin Works For Jazz, Coltrane Between Miles And Sheets Of Sound
by David Brown
In week's edition we visit vivacious violin works in jazz from Ray Nance of the Ellington Outfit, Billy Bang & His Quartet, Jennifer Curtis with Tyshawn Sorley and a new release form NYC-based South Korean violinist Katherine Kyu Hyeon Lim. We'll also check in on some post Miles, pre-Atlantic/Impulse recordings from John Coltrane. Teddy Wilson the ...
Michael Dease: The Other Shoe: The Music of Gregg Hill
by AAJ Staff
"Think of any big city," Greg Hill says, introducing the narrative armature of his composition, “The Other Shoe," the denouement and title track of this stimulating collaboration with Michael Dease, who arranged each of Hill's 10 compositions contained herein. “It's 2 in the morning, you're still awake, and your neighbor comes in upstairs. You hear the ...
Billy Lester: Unabridged
by Howard Mandel
Pianist Billy Lester is a musical original. That's obvious from the first, oh, 17 seconds of Unabridged, his sixth album and second all-solo recording. Listen to the unusual, brief motif with which Lester opens “Overture: Passionate Musings," then develops, complicates and completes it faster than you'd tie a shoelace. Pause--and he continues. Not to ...
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