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Take Five with Assaf Kehati
ByIsraeli/Bostonian jazz guitarist Assaf Kehati has been performing with legendary drummer

Billy Hart
drumsb.1940

Eli Degibri
saxophone, tenorb.1978

Al Foster
drums1944 - 2025

Ray Noble
composer / conductor1903 - 1978

Instrument(s):
Guitar.
Teachers and/or influences?
Favorite albums:

Pat Metheny
guitarb.1954

Bill Evans
piano1929 - 1980

Ella Fitzgerald
vocals1917 - 1996

Kurt Rosenwinkel
guitarb.1970

Jim Hall
guitar1930 - 2013

Paul Desmond
saxophone, alto1924 - 1977

Billy Hart
drumsb.1940

Doug Raney
guitar1956 - 2016

Brian Blade
drumsb.1970

Joey Calderazzo
pianob.1965

John Coltrane
saxophone1926 - 1967

Keith Jarrett
pianob.1945
I knew I wanted to be a musician when...
The evolution of Assaf Kehati, since he was a toddler, was documented by his mom, Dassi. She didn't imagine that her two year old son, that liked to listen to music, would later become a world famous player. I had a small guitar, and when I heard a song I liked, I immediately ran to my room to bring the guitar, and play and dance, and my mom would says "that's really funny." I wanted a big and real guitar. "When I grow up I want to play guitar," that's what I say. (From Dassi's diary).
Your sound and approach to music:
I feel music is something very basic and common for all the people everywhere in the world. It has everything; it evokes your emotions, your intellect, and every part of your body in the most pure and ancient way. Jazz, in particular for me, gives freedom, with endless possibilities to create. It symbolizes life itself from a simple connection between people to being the universal language of self expression.
Your teaching approach:
I believe in giving students information in the form of tools, techniques, examples and ideas as opposed to rules and give them the opportunity to find their own voice while learning the principles of a subject or a concept. I look for creative ways to actively engage students in experimenting and exploring a wide range of styles, approaches, and concepts in sound and texture. Besides concentrating on the immediate subject matter, I also make it a point to address life skills such as handling performance anxiety, ensemble interpersonal skills, preparing for auditions, and time management. I love teaching and I am inspired by my students.
Road story: Your best or worst experience:
A nice experience in a performance with my Trio with

Billy Hart
drumsb.1940
Did you know...
My educational background includes a masters degree in jazz performance with honors from the New England Conservatory and undergraduate studies in Israel at the Rimon School of Jazz and Contemporary Music (a member of the Berklee International Network). But, I also hold a bachelors degree, summa cum laude, in business from the College of Management, Israel.
What are some of the essential requirements to keep jazz alive and growing?
Recognizing that jazz today is many different styles would help to keep jazz alive. Jazz nowadays is influenced by rock pop and world music and vice versa.
If I weren't a jazz musician, I would be a:
I would be working on becoming one.
Photo Credit
Photo Courtesy of Assaf Kehati
Tags
Assaf Kehati
Take Five With...
AAJ Staff
United States
Billy Hart
Eli Degibri
Al Foster
Ray Noble
pat metheny
Bill Evans
Ella Fitzgerald
Kurt Rosenwinkel
Jim Hall
Paul Desmond
Doug Raney
Brian Blade
Joey Calderazzo
John Coltrane
Keith Jarrett
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