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The Grand Canyon
The compiled list below details the some of the best music releases from the first half of 2012. Disclaimer alert: it is the tip of the musical iceberg and certainly subject to argument, and change, by year's end. With that in mind, here goes:
Rodrigo Amado/Motion Trio Burning Live At Jazz AO Centro (JACC)
Myra Melford/ Mark Dresser/ Mat Wilson/ Trio M The Guest House (Enja) Zanussi Thirteen Live (Moserobie) Wibutee Sweet Mental (Sonne Disk) Federico Ughi Songs For Four Cities (Skycap)
The Thing/ Neneh Cherry The Cherry Thing (Smalltown Supersound)
Aram Shelton Quartet Everything For Somebody (Singlespeed)
Elliot Sharp Trio Aggregat (Clean Feed)
Ivo Perelman The Foreign Legion (Leo)
Eivind Opsvik Overseas IV (Loyal Label)
New Zion Trio Fight Against Babylon (Veal Records)
Joe McPhee/ Ingebrigt Haker Flaten Brooklyn DNA (Clean Feed)
Steve Lehman Trio Dialect Fluorescent (Pi)
Jonas Kullhammar/Aalberg/Zetterberg Basement Sessions Vol. 1 (Clean Feed)
Mats Gustafsson/Fire! w/Oren Ambarchi In The Mouth—A Hand (RuneGrammofon)
Harris Eisenstadt Canada Day III (Songlines)
Zeno De Rossi/Stefano/Gallo/GuanoPadano 2 (Tremoloa Records)
Ravi Coltrane Spirit Fiction (Blue Note)
Peter Brotzmann/ J?rg Fischer Live In Wiesbaden (Not Two)
Daniel Menche Guts (Mego)
Animation Agemo (Rare Noise)
Angles 8 By Way Of Deception/ Live In Ljubljana (Clean Feed)
Sometimes, the best way to experience the canyon is to take it at your own pace, step- by-step, looking no further than the bird on the ledge and the rock underfoot. Such is the exploration of creative musics.
Luigi Archettinull II / null III
die Schachtel 2012
The Italian/Swiss guitarist and sound composer Luigi Archetti moves at a glacial pace, creating his hybrid sound that is part drone and part musique concrète, a sort of ambient sculpture. He builds, ever so slowly, upon field recordings, microtones, and sometimes noise that turns more inward than out. This double-CD follows the original null (die Schachtel, 2009) and builds nearly 140 minutes of sound over two discs. Archetti, a guitarist, forms some sound here from his strings, as he did on the Low Tide Digital series (Rune Grammofon) with cellist Bo Wiget. Others are found sounds, but mostly his acoustic interventions, coupled with electronics are slow motioned meditations. Nothing happens and yes, everything happens. He casts a spell with his sly ornamentations. The gifts here, laid out in 20 tracks, are the ever so slight variations, the unhurried sounds (sometimes punctuated with noise) that offer reflection on sound itself.
Dafnis PrietoProverb Trio
Dafnison Music 2012
Those who believe hip-hop is a large and growing dead zone in the musical oceans because its toxicity kills creativity and innovation in service to fashion, might want to listen to Cuban-born drummer
Dafnis Prieto
drumsb.1974
Kokayi
vocals
Steve Coleman
saxophone, altob.1956
Recorded in studio, the trio instantly creates varying landscapes, pairing music with spoken and sung poetry, sometimes wordless. Linder, Prieto, and Kokai keep a mixed bag of rhythms, harmonies, and differing constructions making this project interesting throughout.
The Royal Improvisers OrchestraLive At The Bimhaus
Riot Improv
2011
Large improvising ensembles, like the 21-piece Royal Improvisers Orchestra, are as much about theater as music. Heard here on the inaugural release from Riot Improv records, the five tracks by this orchestra vary from a sort of primal scream to
Anthony Braxton
woodwindsb.1945
Han Bennink
drumsb.1942
Organized similar to
John Zorn
saxophone, altob.1953
Han Bennink
drumsb.1942
Xavier Charles/ Jean-Phillipe Gross/ Franz Hautzinger/ Lionel MarchettiTSSTT!
Monotype Records 2012
A brief statement at just shy of 29-minutes of music, the quartet of Xavier Charles (clarinet), Jean-Philippe Gross (electro-acoustic devices), Franz Hautzinge (quartertone trumpet) and Lionel Marchetti (Revox B77 and shortwaves) creates a very onomatopoeia sounding recoding in TSSTT!. The four (sometimes) minimalist improvisers provide a tempered bill of fare here. Charles and Hautzinger's clarinet and trumpet are equally balanced with the electronics of Gross and Marchetti. The opening track acts as a tuning radio with sounds crossing in-and-out of the perception, followed by slices of sound energy that are splashed in to the mix sci-fi movie style. While the four are stoic tone generators, they also elicit some playful sound. Meticulously recorded, each gesture, breath, nod and spark surround the ears.
Thomas Tilly & Jean-Luc GuionnetStones Air Axioms
Circum-Disc
2012
If as they say, "writing about music is akin to dancing about architecture," then what is performing music about architecture akin to? Drawing? Maybe.
Sound artists Thomas Tilly (field recordings) and organist Jean-Luc Guionnet capture an environment of sound in the Cathedral of St Pierre in Poitiers, France by way of organ drone and sine wave generation. The sound sculpture these artists create (capture?) are the unique features of a 12th century Roman Catholic cathedral. They set about measuring columns and recording the interplay between the organ as a tone generator and white noise as it circles and bounces off the great stones of the immense space. The pair went about mapping the familiar other worldly experience of these colossal houses of worship. Their recordings of the exchange between organ tones and white noise was then taken to a studio and mixed with their field recordings of the air flow within St Pierre. Like all recordings, be they at the Village Vanguard or a concert hall, the space must be considered by the engineers. When the space becomes an equal partner in the performance, the balance shifts toward it as the headliner.
Giacomo Merega/ Noah Kaplan/ Marco CappelliWatch the Walls Instead
Underwolf
2012
With all due respect to younger generations and our brave new digital world, there is still something important about the wrapper music comes in. Once called "an album" (as in a scrapbook or photograph collection), the LP/CD cover and its information should be part of the musical experience. That said, it is difficult to separate the cover photo and liner notes of Watch The Walls Instead from the music created by the trio of Giacomo Merega (electric bass), Noah Kaplan (saxophones) and Marco Cappelli (guitars), plus guests. The cover, a photograph (by Monia Lippi) of what? A moment when a human form strolls, not unlike the famed Bigfoot footage, into the woods. The mood the trio invokes is a doleful often sulky sound of meandering form. Guest Anthony Coleman sits in on seven tracks, dribbling and bouncing notes against the liquidized saxophone tones of Kaplan and the bobbing electric notes of Merega. Where are we? Clues are found in the partial science fiction short story liner notes of Sparrow. Planet Zelurion or Earth? Perhaps when the trio grows to quintet, with violinist Mauro Pagani the answer is clearer. The sounds of Cappelli and Pagani's echoey eeriness delivering us into the great quiet of deep and very dark space.
Positive CatastropheDibrujo, Dibrujo, Dibrujo...
Cuneiform Records 2012
Small big bands are the musical equivalent to first responders. A 10-piece outfit like Positive Catastrophe is equipped to face any challenge with percussionists, electric bass and guitar, saxophones and even accordion and French horn. The invention of cornetist
Taylor Ho Bynum
cornetb.1975
Anthony Braxton
woodwindsb.1945
Sun Ra
piano1914 - 1993
Charles Mingus
bass, acoustic1922 - 1979
Matt Bauder
saxophone, tenorb.1976
Jimmy Garrison
bass, acoustic1934 - 1976
John Coltrane
saxophone1926 - 1967
The band covers the four-part title track, commissioned by Chamber Music America. In this setting the party band that opens the disc is quieted (well, toned down) for the complexity of the percussionist's composition. Tight, restrained swing is the order of the day. Positive Catastrophe delivers music that is raggedly concise, and that is not an oxymoron.
Hugo CarvalhausParticula
Clean Feed 2012
Listeners might have been introduced to Portuguese bassist Hugo Carvalhais because his initial release on Clean Feed included the American saxophonist
Tim Berne
saxophone, altob.1954
Michael Formanek
bass, acousticb.1958
Carvalhais chooses to pursue a very modern sound, distinct from straight melody and yet flowing with consequences. The quintet forms and reforms into quartets, trios, duos and solos. He seems much more concerned with the maintenance of theme than melodies. That said, Particula is bound together by a constant energy. On "Generator" it's the lift-off of Parisien's saxophone flight. "Capsule" finds the melding of synthesizer with violin and bits of controlled tumult. Carvalhais is a master of keeping open forms somehow fettered, harnessing freedom for his own purposes.
Hafez ModirzadehPost-Chromodal Out!
Pi Recordings 2012
It certainly is difficult to comprehend exactly what the fuss was about when saxophonist
Ornette Coleman
saxophone, alto1930 - 2015
Hafez Modirzadeh
saxophone, tenorComprised of two suites "Welt Facets" by Modirzadeh and "Wolf And Warp" by James Norton, the music allows the differing intervals of Western jazz and Persian tones to coexist. He recruited pianist
Vijay Iyer
pianob.1971
John Coltrane
saxophone1926 - 1967
The Thing with Barry GuyMetal!
No Business Records 2012
Encountering the Scandinavian band The Thing always raises the hypothetical, what if jazz musicians were also rock stars? Surely saxophonist
Mats Gustafsson
woodwindsb.1964
Following its backing singer Neneh Cherry on The Cherry Thing (Smalltown Superjazz, 2012) the band invited bassist
Barry Guy
bass, acousticb.1947
Albert Ayler
saxophone, tenor1936 - 1970
Hairybones: Peter Brotzmann/ Toshinori Kondo/ Massimo Pupillo/ Paal Nilssen-LoveSnakelust
Clean Feed 2012
Any attempt to stop the fire breathing saxophonist
Peter Brötzmann
woodwinds1941 - 2023
Apparently one of the few ways to match the energy produced by the great man is to plug-in. With the band Hairybones, this is accomplished by trumpeter Toshinori Kondo utilizing electronic processing, bassist Massimo Pupillo wielding an electric bass and the Brotzmann's batterie of choice these days, Paal Nilssen-Love muscling up on his kit. Recorded live at Jazz em Agosto in Lisbon 2011 this marks the third release for the Hairybones outfit following their self-titled 2009 Okka Records debut and the limited release Hairy Bones At Fresnes (Bro Records, 2009).
Brotzmann and Kondo collaborated in his Die Like A Dog quartet (with William Parker and Hamid Drake) and Pupillo, of the Italian avant jazz/rock trio Zu, is also a frequent collaborator. Here the energy rarely lags, and when it does you might hear Brotzmann wrestling his Bb clarinet or tarogato. Nilssen-Love at the ready with brushes, anticipating the (wait for it) rush of sound. An exhausting 53-minutes.
Tracks and Personnel
null II / null III
Tracks: CD1: 14; 15; 16; 17; 18; 19; 20; 21; 22; 23; CD2: 24; 25; 26; 27; 28; 29; 30; 31; 32; 33.
Personnel: Luigi Archetti: analog electronic, field recordings.
Proverb Trio
Tracks: Into The Light Love; You And Me; The Magic Danzonette; Extasis; You Got It; In War; Vamos A Jugar; Talking Too Much; What Have We All Done; Dirty Us; Mystery Man; Mother Nature.
Personnel: Kokayi: vocals; Jason Lindner: keyboards; Dafnis Prieto: drums.
Live At The Bimhaus
Tracks: Collective Improvisation; Burocratie; Immigratie Walk; Truism Turism; His Composition.
Personnel: Yedo Gibson: tenor saxophone, E-flat clarinet; John Dikeman: tenor saxophone, alto saxophone; Jose Gomes: baroque basson;?Rodrigo Parejo: flute; Oscar Jan Hoogland: piano;?Sandra Pujols: voice; Marie Guilleray: voice; Berta Puigdemasa: harp;?Alfredo Genovesi: guitar; Mikael Szafirowski: guitar; Angel Faraldo: electronics; Ofir Klemperer: electronics; Ofer Smilansky: electronics;?Gerri Jager: drums; Marcos Baggiani: drums; ?Thibault Viviani: recorder; Raoul van der Weide: double bass; Renato Ferreira: double bass; Han Bennink: drums.
TSSTT!
Tracks: 6'12; 5'03; 8'27; 3'51; 5'15.
Personnel: Xavier Charles: clarinet; Jean-Philippe Gross: electro-acoustic devices; Franz Hautzinger: quartertone trumpet; Lionel Marchetti: Revox B77, shortwaves.
Stones Air Axioms
Tracks: Air Volume; For Standing Waves; Disturbances; Close; Bells; Architectural Remains.
Personnel: Thomas Tilly: measurements, recordings, composition; Jean-Lus Guionnet: measurements, organ.
Watch the Walls Instead
Tracks: White With Clouds; Blue On Blue; Still Yellow; Absence of Color; Too Much Light to Tell; Metal or Wood; A Picture, You Blinked; Patterns On the Glass; Tentative Light; Things We Used to Know; Forgotten Corners; Some Wind and Voices.
Personnel: Giacomo Merega: electric bass; Noah Kaplan: tenor saxophone, soprano saxophone; Marco Cappelli: guitars; Anthony Coleman: piano; Mauro Pagani: violin.
Dibrujo, Dibrujo, Dibrujo...
Tracks: Cafe Negro Sin Azucar; Garrison Ascending; Lessons Leanred from Seafaring Tales; It's Eternally; Perhaps the Artist was a Little Mad; Wolves and Blizzards; Dibrujo One; Deebrojo Two; Debruhoe Three; Dibroojoh Four.
Personnel: Taylor Ho Bynum: cornet, flugelhorn (1); Abraham Gomez-Delgado: percussion, vocals (4,9); Kamala Sankaram: accordion, vocals (2-6); Mark Taylor: French horn; Reut Regev: trombone; Matt Bauder: tenor saxophone; Michael Attias: baritone saxophone; Pete Fitzpatrick: electric guitar, vocals (5); Alvaro Benavides: electric bass; Tomas Fujiwara: drums.
Particula
Tracks: Flux; Chrysalis; Simulacrum; Capsule; Omega; Madrigal; Cortex; Generator; Amniotic.
Personnel: Hugo Carvalhais: bass; Dominique Pifarély: violin; Emile Parisien: soprano saxophone; Gabriel Pinto: piano; Mário Costa: drums.
Post-Chromodal Out!
Tracks: Weft Facets: Facet Thirteen; Facet Fourteen; Facet Fifteen; Interlude I; Facet Sixteen; Facet Seventeen; Facet Eighteen; Interlude II; Facet Nineteen; Facet Twenty; Facet Twenty One; Facet Twenty Two; Interlude III: Facet Twenty Three; Facet Twenty Four; Interlude IV; Facet Twenty Five/Reprise; Wolf & Warp: Wolf One; Wolf Two Piano Solo; Wolf Two Ensemble; Wolf Two Bass Solo; Wolf Three Ensemble; Wolf Three Drum Solo; Wolf Four; Wolf Five Part One; Wolf Five Part Two; Wolf Six; Wolf Seven.
Personnel: Hafez Modirzadah: alto saxophone, tenor saxophone; Amir Elsaffar: trumpet; Vijay Iyer: piano; Ken Filiano: bass; Royal Hartigan: drums; Danongan Kalanduyan: Filipino kulintang; Faraz Miniiei: Persian santur; Timothy Volpicella: electric guitar.
Metal!
Tracks: Lanthanum; Cerium; Praseodymium; Neodymium; Promethium; Samarium; Europium; Gadolinium; Terbium; Dysprosium; Ride the Sky.
Personnel: Mats Gustafsson: baritone saxophone, tenor saxophone, slide saxophone; Ingebrigt H?ker Flaten: bass; Barry Guy: bass; Paal Nilssen-Love: drums.
Snakelust
Tracks: Snakelust.
Personnel: Peter Brotzmann: tenor saxophone, alto saxophone, B-flat clarinet, tarogato; Toshinori Kondo: trumpet, electronics; Massimo Pupillo: electric bass; Paal Nilssen-Love: drums.
Tags
We Travel the Spaceways
Mark Corroto
United States
Dafnis Prieto
Kokayi
Steve Coleman
anthony braxton
Han Bennink
john zorn
Taylor Ho Bynum
Sun Ra
Charles Mingus
Matt Bauder
Jimmy Garrison
John Coltrane
Tim Berne
Michael Formanek
Ornette Coleman
Hafez Modirzadeh
Vijay Iyer
Mats Gustafsson
barry guy
Albert Ayler
Peter Brotzmann
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