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The Nice Jazz Orchestra At The Opera House

The Opera House
La Route du Jazz
Nice, France
June 19, 2019
Jazz arrived in France at the end of the First World War. A band of the 15th regiment, New York National Guard toured France extensively under the baton of

James Reese Europe
composer / conductor1881 - 1919
Jazz began in France in the same way as it did in many places. African-American men with time to spare and often with limited musical experience to constrain them, picked up on syncopated ragtime music and started to play. The American soldiers may have heard the first jazz recording "Livery Stable Blues" (Victor, 1917) by The Original Dixieland Jass Band. They may have heard jazz in New Orleans, a major military shipping port, or they may have heard jazz in dance halls and bars as it spread out across America.?
A full 30 years after jazz arrived in France,? Nice was home to the first jazz festival which still thrives today. Louis Armstrong came to play the first edition. It seemed fitting that Nice would be a place to celebrate the 100th anniversary of jazz in France.
Replete with magnificent gilt cherubs, painted ceilings and red velvet hangings the Nice Opera House welcomed The Nice Jazz Orchestra to play "La Route du Jazz" (Jazz Road) organized by the local Rotary to support cancer cures. This performance was a retrospective of the history of jazz, delivered in a series of tableaux representing Ragtime, Blues, Spiritual, New Orleans, Swing, Bebop, Latin, Cool, Funk, and Rock. The artistic director of The Nice Jazz Orchestra Pierre Bertrand(saxophone and flute) was assisted by Christian Pachiaudi (bass) and Alain Asplanato (percussion).
They began at the beginning, with

Scott Joplin
piano1868 - 1917

Benny Goodman
clarinet1909 - 1986

Ella Fitzgerald
vocals1917 - 1996

Duke Ellington
piano1899 - 1974
They used "Whispering" from1920, to effectively illustrate three musical styles. The original on piano was accompanied by 'cello to set the period, they added eighth notes to swing it, then the melody went into the bebop style and became less recognizable.?
The second set opened with "Summertime" from Gershwin's "Porgy and Bess" and went on to "Moanin" a

Bobby Timmons
piano1935 - 1974

Art Blakey
drums1919 - 1990

Antonio Carlos Jobim
piano1927 - 1994

Astor Piazzolla
bandoneon1921 - 1992
Spanish tenor Gilles San Juan walked the stage. He looked disdainfully at the audience as he grew the drama, then sang full voice "Veinte Anos" (20 years) which led on to

Chick Corea
piano1941 - 2021
To represent 100 years of jazz in France in two sets was ambitious, but they attacked the task with energy using the 'celli to fill out the mid-range sounds for orchestral effect. The surprises were how they managed to effectively illustrate three jazz progressions in "Whispering" and their seamless transition from Chopin to Jobim.?
This was an informative, well executed program, packed with a variety of music and instruments to celebrate a century of jazz, which is still well-loved music in France.
.Photo credit: Martin McFie
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Pierre Bertrand
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