Home » Jazz Articles » Live Review » The Stanley Clarke Band At Kuumbwa Jazz Center
The Stanley Clarke Band At Kuumbwa Jazz Center

Courtesy Walter Atkins
Kuumbwa Jazz Center
Santa Cruz, CA
June 15, 2017
Preeminent bassist/composer

Stanley Clarke
bassb.1951

Beka Gochiashvili
pianoMike Mitchell
drumsThe venue, located in downtown

Tonight's first set opened with extended arrangements for all the songs. Clarke and company kicked off with the electrifying "Lopsy Lu," followed by the

Charles Mingus
bass, acoustic1922 - 1979

Lester Young
saxophone1909 - 1959
During the break, the exceptionally cordial staff happily mentioned that noted jazz artist

Christian McBride
bassb.1972
The nightcap featured: "Lopsy Lu," "Goodbye," the Lester Young elergy, Clarke's signature song "School Days," "Black Narcissus" and "Song to John." The SCB's soaring encore was the

Return to Forever
band / ensemble / orchestraAfter the concert, an excited admirer exclaimed to this writer, "These boys can play! They gotta be from Booker T. Washington!" (Booker T. Washington High School For The Performing & Visual Arts in Texas). Mitchell and McCambell, both from Dallas, studied at the prestigious school.
Clarke commented his band members' artistry had grown since their last visit to Northern California. He said that great musicians have "an arc" as they mature and become more comfortable in the group setting. "The most important thing is that you expand." Tonight, the Stanley Clarke Band presented an exceptional night of music in the superb and cozy confines of the Kuumbwa Jazz Center.
The bassist also indicated artists love playing at Kuumbwa Jazz and many considered it their musical home. He liked the room that included a kitchen (good food), bar, spacious patio and small gift shop. In the James D. Houston article on the official Kuumbwa web site, the author described the success of the venue: "According to Tim Jackson, that was the vision from the outset. He was one of three founding members, along with Rich Wills, who had the original idea, and Sheba Burney. They formed the Kuumbwa Jazz Society in the spring of 1975. Still an active musician (saxophone and flute), Jackson is now the Center's director.
"The guiding idea," he says, "was that jazz is an art form and deserves as much dignity as chamber music or the symphony. Some people still seem to associate it with decadent nightlife and murky dives. It doesn't have to be that way. One important thing you do get from the small club is intimacy with the performers. We wanted to create a venue that combines this with some of the attentiveness of the concert hall."
Where did the name come from? In my view, it provides a key to the spirit of this remarkable place. Kuumbwa is a Swahili word that means "the act of creation." And an appropriate name it is, pointing toward the most distinctive feature of jazz. With art forms such as sculpture, painting, pottery, poetry and fiction, the imagination works in private, and what the audience sees or hears is the end result. With jazz, the artist's discoveries occur right there in front of you, before your very eyes and ears."
The Kuumbwa Jazz Center, located in central Santa Cruz, was an outstanding location for hearing the music of the Stanley Clarke Band on their North American Tour. After seeing and hearing it first hand, you saw why the house was popular with artists and music supporters alike.
Tags
Live Reviews
walter atkins
Diane Hadley Public Relations
United States
California
san francisco
Stanley Clarke
Kuumbwa Jazz Center
Beka Gochiashvili
Mike Mitchell
Caleb McCambell
SANTA CRUZ
Charles Mingus
Lester Young
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