Home » Jazz Articles » Album Review » Russell Malone: Triple Play

Russell Malone: Triple Play

By C. Michael Bailey
November 13, 2010
View read count

Track review of "Sweet Georgia Peach"

Guitarist

Russell Malone

guitar
1963 - 2024

" data-original-title="" title="">Russell Malone has found a durable and receptive home at MAXJAZZ, resulting in three fine recordings: Playground (2004); Live at Jazz Standard, Volume 1 (2006); and Live at Jazz Standard, Volume 2 (2006). He sports an elegant, unpretentious method and a shimmering, round and slightly velvety tone that compliments his considerable abilities. Triple Play is Malone's first trio recording, proving that the best jazz is created in small spaces.

Malone's grasp of the blues is beyond question. He addresses the great

Oliver Nelson

saxophone
1932 - 1975

" data-original-title="" title="">Oliver Nelson's "Butch and Butch," from Blues and the Abstract Truth (Impulse!, 1961), with funky aplomb. But it is with Malone's own "Sweet Georgia Peach" that the guitarist puts his stamp firmly on the blues. The complex head is late '60s Hawaii Five-0/

Herb Alpert

trumpet
b.1935

" data-original-title="" title="">Herb Alpert

The Adventures in Jazz Orchestra

" data-original-title="" title="">The Adventures in Jazz Orchestra-vintage, commercial funk. Malone provides a thorough, seven-minute workout that is made orchestral by

Montez Coleman

drums
1973 - 2022

" data-original-title="" title="">Montez Coleman's space-filling snare and bassist

David Wong

bass

" data-original-title="" title="">David Wong's elastic playing. The total package is for those who think

Pat Metheny

guitar
b.1954

" data-original-title="" title="">Pat Metheny is too modern and

Charlie Christian

guitar, electric
1916 - 1942

" data-original-title="" title="">Charlie Christian is too oldfashioned.

Learn more about our star rating system

Personnel

Russell Malone

guitar

Montez Coleman

drums

David Wong

bass

Album information

Title: Triple Play | Year Released: 2010 | Record Label: MAXJAZZ

PREVIOUS / NEXT

Lost in New York
< Previous

Searching For Adam
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.