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Two Simultaneous Jon Irabagon Releases: Quartet & Solo
ByJon Irabagon
saxophone
Mostly Other People Do the Killing
band / ensemble / orchestra
Mary Halvorson
guitar
Barry Altschul
drumsb.1943

Dave Douglas
trumpetb.1963

Behind The Sky
Self Produced
2015
Behind the Sky focuses on the theme of grieving and the way we deal with loss. Which could make for a dark programbut the music is more about reflection and celebration of the lives, spirit, and legacy of the departed than grief. In keeping with such a universal topic, Irabagon is at his most accessible here. Mainstream jazz is the order of the day, although no less engaging and challenging than any of his projects. Stylistically it can be seen as a follow-up to The Observer (Concord Records, 2009); it's also in line with his work as a member of the Dave Douglas Quintet.
Irabagon's empathetic quartet is made up of pianist

Luis Perdomo
pianob.1971

Yasushi Nakamura
bass
Rudy Royston
drums
Tom Harrell
trumpetb.1946
Highlights include the catchy tune and easy swing on opener "One Wish;" Royston's energy surge during the closing vamp of "The Cost of Modern Living;" guest Tom Harrell's gentle dissonance on "Obelisk;" the lovely duet between Perdomo and Irabagon on "Lost Ship at the Edge of the Sea;" and Irabagon's overdubbed conversation with himself on tenor and soprano saxophones on the title tune.

Inaction is An Action
Self Produced
2015
When Irabagon started playing sopranino saxophone more in recent years, he saw an opportunity to contribute something unique to the solo saxophone tradition, as his relationship to the instrument was new and not influenced by other sopranino players (one of the smallest members of the saxophone family, it is tuned in the key of Eb, and sounds an octave above the alto saxophone). The results are "experimental" in the truest sense, as he explores all of the possible ways of playing the instrument, including many extended techniques. Which puts the project in the tradition of stated solo saxophone influences like

Ned Rothenberg
saxophoneb.1956

Douglas Ewart
bassoonb.1946

Evan Parker
saxophone, sopranob.1944

John Zorn
saxophone, altob.1953

Steve Lacy
saxophone, soprano1934 - 2004

Roscoe Mitchell
saxophoneb.1940

Anthony Braxton
woodwindsb.1945
"Revvvv" begins the program with unpitched wind sounds, giving immediate notice to the listener to expect unconventional approaches. Other unusual effects include glissandos (sliding between notes) on "Acrobat," a sound like volume pedal swells on "Ambiwinxtrous," and a stuttering effect on "Liquid Fire" (which also features extended moto perpetuo playing). Occasionally a melody breaks out (as in "The Best Kind Of Sad"), but the focus tends to be more on texture. Irabagon employs a wide variety of techniques over the course of the program, including key slaps, multiphonics, circular breathing, playing without a reed and without a mouthpiece, vocalising into the horn, and more. The album is only 38 minutes longbut what it lacks in length, it makes up for in intensity.
If nothing else, this simultaneous release gives an answer to the question non-avante garde fans often ask about records like Inaction is An Action: "But, can this guy really play?" Yes, he can.
Tracks and Personnel
Behind The Sky
Tracks: One Wish; The Cost Of Modern Living; Music Box Song (For When We're Apart); Still Water; Obelisk; Sprites; Lost Ship At The Edge Of The Sea; Mr. Dazzler; Eternal Springs; 100 Summers; Behind The Sky (Hawks And Sparrows).
Personnel: Tom Harrell: trumpet, flugelhorn (4, 5, 9); Jon Irabagon: tenor saxophone, soprano saxophone; Luis Perdomo: piano; Yasushi Nakamura: bass; Rudy Royston: drums.
Inaction is An Action
Tracks: Revvvv; Acrobat; What Have We Here; The Best Kind of Sad; Hang Out a Shingle; Ambiwinxtrous; Liquid Fire; Alps.
Personnel: Jon Irabagon: sopranino saxophone.
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Jon Irabagon Concerts

Barry Altschul 3Dom Factor
Entropy GallerySanta Fe, NM
Jon Irabagon/Will Greene/Kevin Murray Trio
Jazz Gallery Center For The ArtsMilwaukee, WI

Jon Irabagon Quintet
Firehouse 12New Haven, CT
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