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A Farewell to Café Central

Courtesy Juantxu Bohigues
Anyone who has visited the Central, even just once, notices its irresistible charm, beyond the current trendy fake vintage recreation. The Madrid club oozes charisma and authenticity through all its well-worn pores: its amplifying mirrors, its seductive bar, its black upholstered sofas, its peculiar spatial layout, and those transcendental glass panels facing Plaza del ?ngel, in the culturally dynamic neighborhood of Las Letras. These windows allow the casual passerby to stop, observe, and, to some extent, hear what is happening insideor better yet, what is about to happen. This elementundoubtedly fundamental to its successis quite unusual nowadays: "it seems that jazz is destined for spaces without natural light, basements or underground locations, as if it were something illegal," notes Juantxu Bohigues, its house manager. In this sense, comparisons with the legendary New York Metropole are inevitable. That now-vanished venue, inextricably linked to

Henry "Red" Allen
trumpet1906 - 1967

Since its opening in the summer of 1982, thousands of musicians have passed through the tiny, cornered stage of Café Central. Of course, all the principal stars of the Iberian scene, from historical figures like

Pedro Iturralde
b.1929
Tete Montoliu
piano1933 - 1997

Chano Dominguez
pianob.1960

Jorge Pardo
flute
Javier Colina
bass, acousticIgnasi Terraza
piano
Sheila Jordan
vocals1928 - 2025

Mal Waldron
piano1925 - 2002

Randy Weston
piano1926 - 2018

Barry Harris
piano1929 - 2021

Benny Golson
saxophone, tenor1929 - 2024

Art Farmer
flugelhorn1928 - 1999

Ron Carter
bassb.1937

Al Foster
drums1944 - 2025

Bobby Watson
saxophone, altob.1953

Sam Rivers
saxophone, tenor1923 - 2011

Kenny Barron
pianob.1943

George Cables
pianob.1944

Kirk Lightsey
pianob.1937

Joe Farnsworth
drumsb.1968

Jerry Gonzalez
trumpet1949 - 2018

Paquito D'Rivera
clarinetb.1948

Brad Mehldau
pianob.1970

Jeremy Pelt
trumpetb.1976

Mark Turner
saxophone, tenorb.1965
Several of these artists have formed deep connections with the venue; one of the earliest and most notable is

Don Pullen
piano1941 - 1995

Charles Mingus
bass, acoustic1922 - 1979

George Adams
saxophone, tenorb.1940

Dannie Richmond
drums1935 - 1988

Cameron Brown
bassb.1945

David Murray
saxophone, tenorb.1955

Ben Sidran
piano and vocalsb.1943

Leo Sidran
drums
Antonio Serrano
harmonicab.1974
Bohigues welcomes us with growing enthusiasm on a stunningly sunny September morning, shortly after we had each witnessed the emotional performance the night before by

Andrea Motis
trumpet
Josep Traver
guitarEsteve Pi
drumsAnd indeed, the Central's rootedness with the city and its people, whether residents or visitors, is undeniable: "There are people who come every week! They're buying all the books we're publishing related to the Central. But beyond that, one person asks us if the piano is for sale, another shows interest in certain paintings... many want to take a little piece of the Central home." This magnetism extends beyond Spanish borders; according to Bohigues, "our programmer, Javier González, receives 15 to 20 emails daily from people who want to perform hereemails that come from New York City, France, Germany..."

Adamant about not allowing the improvement in a few people's balance sheets to destroy the musical memory of a city, Bohigues has embarked on a new literary adventure: "The idea for the book 'Café Central: A Jazz History' arose after a

Steve Nelson
vibraphoneb.1954

Eric Dolphy
woodwinds1928 - 1964

Photos by Juantxu Bohigues
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The Jazz Life
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Henry "Red" Allen
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Chano Dominguez
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Javier Colina
Ignasi Terraza
Sheila Jordan
Mal Waldron
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Charles Mingus
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En el Central
Andrea Motis
Josep Traver
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