Home » Jazz Articles » Album Review » Espen Berg: Acres of Blue
Espen Berg: Acres of Blue
ByEspen Berg
pianob.1983

Esbjorn Svensson
piano1964 - 2008

Helge Lien
piano
Keith Jarrett
pianob.1945
All the compositions are rooted in a common key, D flat, which its fundamental tonality symbolizes for Berg the colors of blue and purple landscapes in music, reflecting the beloved Nordic natural scenery, often wrapped in soft variations of the color blue. The recording captures the great, bright acoustics of the concert hall at RDAM in Copenhagen, where Berg worked over two intense days in May 2013.
The album begins and ends with two contemplative improvisations, "Continuation" and "Inevitable" that mark the expansion of his first piano solo project and the new, diverse musical roads of the second project. Both pieces emphasize his highly personal aestheticassured and articulate abstraction, modest in its virtuous technique, rich and profound in its breadth of sound and emotionally intense even in its most spare segments. Berg avoids expansive, dramatic flights on the piano and opts for a more implicit manner of playing, exposing his elegant, captivating musical structures with patience, suspense, and irony.
Berg dedicates a touching, melancholic improvised piece to Chopin's, "Frédéric," assimilating and playing with elements from his era, and beautifully expands Beethoven's theme from the popular "Til Eline" as a modern jazz theme. He turns

Sting
bass, electricb.1951

Miles Davis
trumpet1926 - 1991

Bill Evans
piano1929 - 1980
Another great work of a true master of the piano. ">
Track Listing
Continuation; Frédéric; Brooklyn; Hounds of Winter; Five Mile Shoes; Til Eline; Sprites of Time; Acres of Blue; Nardis; Bokeh; Inevitable.
Personnel
Espen Berg
pianoEspen Berg: piano.
Album information
Title: Acres of Blue | Year Released: 2014 | Record Label: Atterklang
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